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The secret to great guitar solos isn’t technique – it’s rhythm
By Richard Barrett published
All the greats put themselves into their phrasing, and that identity was not only note choice but rhythm. Here are four ways you can add rhythmic interest to great effect

If you learn one thing from Jake E. Lee it should be this: bigger stretches for better shredding
By Leon Todd published
Try this enhanced lesson to strengthen your fourth finger and use your thumb for wide fretting like the iconic Ozzy Osbourne guitarist

How to funk up your blues solos
By Richard Barrett published
Taking cues from John Mayer, Jimi Hendrix and Nile Rodgers, this lesson offers three examples of phrases that add rhythm and movement to blues

“To some people, this is more of a ‘jazzy’ sound”: How to use dominant 7 arpeggios in a guitar solo
By Corey Congilio published
Because you can't have enough exit ramps from traditional blues phrases, here's how you can use the notes of a dominant 7 chord to spice up your solos

5 chords that sound like they’re in an open tuning (but aren’t)
By Richard Barrett published
Because sometimes retuning your guitar is, well, a pain in the backside – and there are workarounds

Charlie Starr on how to play “Piedmont” fingerstyle guitar
By Charlie Starr published
The Blackberry Smoke frontman goes unplugged to give us a lesson in the fingerstyle techniques he applies in his day job

Hidden for four decades, the story behind the (almost) unheard outro solo on John Farnham’s smash hit, You’re the Voice
By Brett Garsed published
Celtic rock bagpipe phrasing, THAT blazing arpeggio and a crazy bend that broke a string – learn how Brett Garsed played his solo in this exclusive feature

Joe Bonamassa breaks down the differences between P-90s and PAF humbuckers
By Joe Bonamassa published
In this lesson, the blues maestro demonstrates how pickup choice affects the tone and can be used for different purposes
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