Gregory Adams
Gregory Adams is a Vancouver-based arts reporter. From metal legends to emerging pop icons to the best of the basement circuit, he’s interviewed musicians across countless genres for nearly two decades, most recently with Guitar World, Bass Player, Revolver, and more – as well as through his independent newsletter, Gut Feeling. This all still blows his mind. He’s a guitar player, generally bouncing hardcore riffs off his ’52 Tele reissue and a dinged-up SG.
Latest articles by Gregory Adams

By Gregory Adams Published
Burning Witches' new album finds co-founder and rhythm guitarist Romana Kalkuhl and Cox following in the great tradition of dovetailing guitars. As Kalkuhl sees it, it's a sisterhood of metal

By Gregory Adams Published
The Detroit instrumentalist phenom's new solo EP comes straight from the heart, with wide-range dynamics and Boller's typically audacious style

By Gregory Adams Published
Cutting loose on his Suhr electrics, Ian Thornley is officially enjoying himself on the Canadian rockers latest LP, The Rest of the Story. He discusses his intro to metal, pinch harmonics, and wrestling with producers

By Gregory Adams Published
Saturday Night Live has presented some of pop-culture's most iconic moments in musical history. We document its legacy in guitar

By Gregory Adams Published
With his third album (and a bit of his dad’s Frankenstein), Wolfgang Van Halen and Mammoth are taking the world of rock guitar by storm once again

By Gregory Adams Published
Alienation finds Three Days Grace reinvented as a quintet, and exploring the destructive power of super-low tunings. Onstage, meanwhile, Stock has been having fun with a Porsche GT Silver-themed Ibanez...

By Gregory Adams Published
When Steve DiGiorgio and Jeroen Paul Thesseling found Boston shredder Eve, they had found their ace in the hole. And she was a fretless bass player. Three on fretless!? DiGiorgio and Thesseling explain all

By Gregory Adams Published
Ascension is another work of magisterial gothic doom from the English metal stalwarts, who are still chasing new ways to articulate melancholy in the infinite sadness

By Gregory Adams Published
Reunited double-lead guitarists Joe Reinhart and Colin Mahony on writing complex songs on drugs, the album’s secret ska song and connecting with next-gen rippers at Guitar Center

By Gregory Adams Published
All the Pretty Flowers presents a different side to Pleasants’ playing, stripping back her tones for trippy but sinewy post-punk

By Gregory Adams Published
The fan-turned-bandmember on how More came about, why he’s glad four of his guitars were stolen, and why he’s retired the Crybaby from his pedalboard

By Gregory Adams Published
The always-surprising SoCal garage rocker talks fuzz, SG-based blasphemy and the peculiar benefits of not writing songs on guitar

By Gregory Adams Published
The Brazilian instrumental phenom is on fire on Redemption, embracing her rock side and finding a new equilibrium as she plays for her biggest – and smallest – fan

By Jonathan Horsley Published
Hann looks back on the making of The 1975's sleazy, greasy protest anthem, People

By Janelle Borg Published
We’ve all got at least one broken gear anecdote, and if you think yours is a horror story, think again...

By Gregory Adams Published
The Ugly Side of Me is an utterly crushing exercise in 21st-century riffs and tones, and if you're wondering how they get these sounds, well, Josh Fore and Diamond Rowe take us behind the scenes and tell all

By Phil Weller Published
Fellow Jackson artist Christian Andreu took Rowe’s history-making axe for a trip with French metal heavyweights Gojira during their joint tour with Korn

By Gregory Adams Published
Death Hilarious finds Pigs x7 in full-on destroy everything mode, splitting the atom with low-end guitar. As Sam Grant and Adam Ian Sykes admit, this sonic maximalism is not without risk

By Gregory Adams Published
La Rocque has been the King's six-string courtier for 40 years now. Here he tells us how it all began, how his style has evolved, and yes, the new stuff is coming...
![A black-and-white action shot of Sergeant Thunderhoof perform live: [from left] Mark Sayer, Dan Flitcroft, Jim Camp and Josh Gallop](https://cdn.mos.cms.futurecdn.net/am3UhJbsxAE239XRRZ8zC8-320-80.jpg)
By Gregory Adams Published
Guitarist Mark Sayer doesn't make it easy for himself – but we get the impression he wouldn't have it any other way

By Gregory Adams Published
The busiest man in rock, metal and crooning checks in to talk solo speed metal adventure, big riffs, and update us on his up-coming pedal brand

By Jenna Scaramanga Published
Tremonti has shared an update on his pedal range, and touted five potential future releases

By Gregory Adams Published
Open tunings, full-chord pitch bends and all kinds of weird tricks – and yet still Max Keyes is paranoid he might sound like his friends...

By Gregory Adams Published
Dario Lorina – who has split Black Label Society’s guitar duties with Zakk Wylde since 2014 – delivers some serious fuel-injected moto-metal fury on Dark Chapel’s Spirit in the Glass

By Gregory Adams Published
The Alice In Chains icon took his abilities to new heights on I Want Blood, chasing new tones, going hard with the riffs, and even digging out the bass guitar and getting coached by Duff McKagan
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