Latest articles by Gregory Adams
The Alice In Chains riffer drew inspiration from the late great, and his penchant for left-field gear, for his latest solo album
In a recent interview with Guitar World, Cantrell expresses his relief and gratitude that the ‘Blue Dress’ was found, and admits he thought it was gone for good
Billy King & the Bad Bad's new album, Introspective Resolute, is all Lovecraftian punk sneer, howling at the moon and the sound of a band stretching out
The Seattle band on wielding Silvertones – and preparing to launch new album, Billboard Heart
Chaotic, unpredictable, brilliant, the Jesus Lizard finally recorded their post-reunion album and it does not disappoint. Denison checks in to tell us how it came together and where it stands in the band's history
![Frozen Crown's three guitarist pose with their high-performance electric guitars on a stairwell [from left] Alessia Lanzone, Federico Mondelli and Fabiola Bellomo](https://cdn.mos.cms.futurecdn.net/JN9yU5zYEezpbWoG7jt9XF-840-80.jpg.webp)
Backing tracks? GTFO. Frozen Crown is going for triple-guitar shred maximalism – and don't try holding them back
Denison had grown up idolizing prog rock shredders – then one day he found himself attempting to convince one of them to buy a rare Guild guitar
Metal's comic book guys return with Phenomena II, as Cocchi draws on Ron Wasserman’s '90s era X-Men soundtracks for inspiration, and his pedalboard for color
Memory Palace is another dizzying work of instrumental genius from Aaron Marshall and co, but creating all this on record presents a challenge when it comes to the live show. Marshall's approach? Play it by any means necessary...
The UK metal stalwart's new album, Science, Not Fiction is a career high, but if Hoare is stretching out beyond the Pentatonics in search of new horizons for lead, the power of the riff lies in its primitivism. Some things will never change...
Introducing Frederico and Nicolò Vese, two brothers who traffic in progressive djent, elevator jazz and mercury-dripping guitar and bass runs
Returning with their first album in 13 years, Lander and McLeod discuss their tone chemistry and explain why you can shove them through the meat grinder but you'll never kill them
With two classic albums, both released on the same day, Lamb of God and Mastodon's fates have long been connected and now they're touring together, Kelliher and Morton reflect on a turning point for both bands
Sounds of the Forgotten is Witherfall at their best: musically ambitious, virtuosity swinging for the fences, and it came together by Dreyer chasing vibes and taking melodic metal bigger
Fantastic Planet was recorded at a time when substance abuse was tearing them apart and their record label folded. Now Andrews can look back with a bit of perspective on an artistic triumph that's given them a second life
It Leads to This finds Soord and company working in weird time signatures and towards the point of mental exhaustion in search of new sounds
Ben Weinman on the Dillinger Escape Plan’s chaotic birth – and unexpected return
The No Doubt and Dreamcar guitarist attempted two Rush songs at a seventh-grade talent show, chunked up on Black Sabbath and later named his son after Ace Frehley – but reggae got deepest into his heart
With help from his dad, brother and the family pet, Instagram hit musician Noah Faulkner is reshaping classic grunge, metal, synth pop and more with his 10-string pedal steel
The noise improv specialist for Brooklyn’s Couch Slut is also a luthier at NYC institution Retrofret. She details some of the most treasured instruments she’s encountered, the magic of running a Gretsch at high gain, and grabbing one of her hero’s pedals before anyone else got the chance
From Dee Dee Ramone to Eric Avery, fretless to 12-string bassists, Jeff Ament believes all his influences can all be heard on the latest Pearl Jam album Dark Matter
The Pennsylvania punks play so loud, Fry gets his sound engineer to mic a tiny Peavey combo instead, so he can keep his onstage amps raging
Crystal Skins boss Zoe Brodie-James’ work has been seen in movies and on TV, and she’s completed commissions for some very, very rich people
The former Helium and Wild Flag D.C. rocker can still unleash some decidedly untame sounds and work an EBow like no-one else
Nothing can stop Hamilton's flow as Helmet return with a politically charged masterclass in punishing rhythms, off-kilter melodies and open-tuned acoustics
