Huw Price
Huw started out in recording studios, working as a sound engineer and producer for David Bowie, Primal Scream, Ian Dury, Fad Gadget, My Bloody Valentine, Cardinal Black and many others. His book, Recording Guitar & Bass, was published in 2002 and a freelance career in journalism soon followed. He has written reviews, interviews, workshop and technical articles for Guitarist, Guitar Magazine, Guitar Player, Acoustic Magazine, Guitar Buyer and Music Tech. He has also contributed to several books, including The Tube Amp Book by Aspen Pittman. Huw builds and maintains guitars and amplifiers for clients, and specializes in vintage restoration. He provides consultancy services for equipment manufacturers and can, occasionally, be lured back into the studio.
Latest articles by Huw Price

By Huw Price Published
Wielded by George Michael in the music video for his 1987 single, this is arguably the most famous Gretsch Synchromatic in the world and it is up for auction

By Dave Davidson Published
This model has a unique Tangerine Sparkle finish and is one of the best examples renowned NYC guitar store Well Strung Guitars has owned

By Dave Davidson Published
This mid-’50s cutaway model is one of only seven made by the Boston-based company

By Huw Price Published
Era-specific parts, upgrades and mods can make all the difference

By Huw Price Published
The Les Paul Junior was a stripped-down student solidbody that became a professional favourite – and an iconic Thin Lizzy-era Moore electric

By Dave Davidson Published
We take a look at to custom Teles from 1956, one played, one left pristine, and present us with an unusual walnut stain and white pickguard look

By Huw Price Published
This single-pickup instrument from the early ’50s has made musical history in the hands of the Toto icon and is a rare unconverted example

By Dave Davidson Published
We take a closer look at a pair of Strats that might share a birthday but have quite different sounds and specs, as Fender was evolving the design in real-time when it launched in ’54

By Huw Price Published
Dubbed the ‘Fretless Wonder’, the Les Paul Custom waltzed onto the scene in 1954. This particular mid-’50s model found its way into the hands of two guitar heroes

By Huw Price Published
Chris Buck bought a new acoustic for tour, but he needed a pickup installed. Enter Huw Price and his drill

By Dave Davidson Published
With a thinner neck and P-90s instead of humbuckers, this is the kind of unicorn that pops up very rarely on the vintage guitar market

By Huw Price Published
Upgrading pickups and controls on a Gibson thinline is not a job many techs enjoy, let alone amateurs. But with a little organisation you might be able to get it down in an hour

By Huw Price Published
The Les Paul Standard may be the most iconic and the ES-335 the most versatile, but the SG remains Gibson’s greatest commercial success

By Huw Price Published
The author of German Jazz Guitars shares the country's proud history of archtop design – and questions whether the classic jazz box actually originated there

By Huw Price Published
Not all Blackguard Tele pickups are alike. Here's what you need to know to keep that twang in your sound

By Dave Davidson Published
Dave Davidson of Well Strung Guitars describes how, during 1967, Fender got busy developing an alternative to heavy ash Telecaster bodies

By Huw Price Published
Players were already modifying their Telecasters in the 1950s, and a thriving aftermarket parts industry provides countless ways to enhance playability, reliability and tone

By Huw Price Published
As the Telecaster turns 75, we chart its history – hardware, parts, and all – from the Nocaster days to the Wide Range era

By Huw Price Published
This 1963 Fender Stratocaster and 70s Höfner 500/1 violin bass guitar recently went under the hammer – and, as it turns out, these were Britrock unicorns for collectors

By Dave Davidson Published
Martin’s slope-shouldered dread style meets innovative three-piece rosewood backs in this slept-on design from an undervalued period in the acoustic brand's storied history

By Dave Davidson Published
A so-called Double-O, this 1960 Les Paul was made from ’59 parts, and is a bona-fide grail. But this was not always the case. Back in the day, players just didn't get the appeal

By David Davidson Published
In the vintage market, the big-box jazz guitars are less sought after but this pair of Gibson ES-5s are holy grails in anyone’s book – especially disciples of T-Bone Walker

By Huw Price Published
As this small selection from a very large vintage collection proves, Candy Apple Red looks fantastic on any Fender guitar – but the process of applying it changed over the years

By Dave Davidson Published
It looks like a Kessell and almost sounds like a Kessell, but upon closer inspection we have a custom order that’s a “total freak”…

By Huw Price Published
Only two features distinguished a Mary Kaye Stratocaster from any other Strat that might have rolled off Fender’s production line during the mid-to-late 1950s. So why are vintage examples so darn valuable?
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!