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“It’s clearly had a lot of thought put into making it as flexible and useful as possible”: Laney Digbeth DB-EAST review
By Connor Flys Published
Over a long, distinguished career, Nathan East has never had a signature amp. Until now…

“Those cleaner tones are very characterful and usable, evoking classic tube-driven bass amps”: Ashdown Geezer Butler Pedal of Doom review
By Connor Flys Published
Geezer Butler helped invent heavy metal. Here’s a slab of heavy metal bearing his name.

“Boss has packed some serious muscle into a small box... For its price, it’s going to be very tough to beat”: Boss GX-1B review
By Connor Flys Published
Boss's GX range of multi-effects gets a bass-specific baby brother...

“It vacuum-packs superb tones and incredible utility into a compact space”: IK Multimedia ToneX One Bass Edition review
By Connor Flys Published
Honey, I shrunk the Ampeg! And the Gallien-Krueger, and the Sansamp, and...

“It absolutely nails the sounds of the ‘60s when palm muted and picked”: Gretsch Electromatic CVT Bass Double-cut review
By Connor Flys Published
It's a reboot of the lesser-spotted Gretsch Corvette – but it's only got four strings!

“It evokes a cool old Jazz Bass that's picked up some useful mods over its life”: Squier Classic Vibe Active ’70s Jazz Bass review
By Connor Flys Published
Is it a '70s-inspired Jazz Bass? Is it a modernised active bass? Yes to both...

“It might not be to all tastes, but its retro charm and sonic potential are compelling indeed”: Squier Classic Vibe Telecaster Bass review
By Connor Flys Published
Squier reissues an oddity from Fender's bass archives, complete with a Wide Range humbucker – is this its time?

“There are many reasons to love the Anagram – it’s a pretty comprehensive set of sounds, aimed at bassists first”: Darkglass Anagram review
By Stuart Williams Published
Darkglass turns its attention to providing you with a do-it-all solution for practice, studio and live use
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