Billy Strings: "I see a lot of similarities between metal guitar and mandolin, especially in tremolo picking"

Billy Strings goes ballistic on a Preston Thompson dreadnought (Image credit: Jesse Faatz)

Billy Strings has already packed a lifetime’s worth of flatpicking into his 27 years - and that’s no exaggeration. Born William Apostol, the Michigan native, who just released his second solo album, Home, was immersed in the sounds of bluegrass legends like Bill Monroe, Ralph Stanley and Doc Watson practically from birth by his father. By the age of three, he was playing guitar himself. 

“My dad taught me G, C and D and gave me a capo, and I could play just about any bluegrass song,” Strings says.

Within a few years he was performing in earnest. “My dad and I would go down to the VFW hall and it was, like, a bunch of 70-year-olds with music stands playing old country tunes - the same crowd as the bingo crowd,” Strings says with a laugh. “We would pick with those folks every once in a while and I loved it. So I knew that being a bluegrass musician was what I wanted to do since forever.”

These days, Strings is not just a bluegrass musician - he’s quite possibly the most electrifying bluegrass picker around, with a devastatingly clean and precise flatpicking technique that is showcased in racing rhythm runs and speedy solos. 

And while his music is clearly rooted in the traditional sounds he was weaned on, as Home demonstrates, this is hardly your grandpappy’s bluegrass. Rather, Strings infuses his old-timey approach with elements of rock, country, folk, psychedelia and even metal.

I’m not claiming to be a bluegrass artist or a rock artist or any one type of artist

In fact, Strings actually is something of a former metalhead, having played electric guitar as a teenager in a grindcore band called To Once Darkened Skies. Which isn’t as bizarre as it sounds. “I see a lot of similarities between metal guitar and mandolin,” he says. “Especially in the tremolo picking.”

But it’s all just music. “I’m not claiming to be a bluegrass artist or a rock artist or any one type of artist,” he says, adding, “when we play shows we see all ages, all shapes and colors and sizes - everybody from old-school bluegrass fans to metal-heads. So I’m not worried about genre or anything like that. I’m just making music.”

Billy Strings' gear


  • 1948 Martin D-28
  • 1946 Martin 000-28
  • Preston Thompson dreadnought with Brazilian rosewood back and sides
  • “Grandpa’s prison guitar,” made by Strings’ grandfather during a prison stint in Jackson, Michigan, in the early 1960s and restored by Dave Johnson of Scale Model Guitars.


  • Fender Twin


  • JHS Bonsai
  • Ernie Ball Volume Pedal

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Richard Bienstock

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.