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Mattresses for isolation? How Jonathan Hultén recorded an entire album in his walk-in closet
By Amit Sharma published
The former Tribulation guitarist goes full on dream pop on his sophomore release, Eyes of the Living Night

David Hood on Aretha, what Otis Redding taught him, and tales from Muscle Shoals' golden age
By Nick Wells published
In this interview from the Bass Player archive, Hood reflects on his career as a ‘Swamper’, playing on hits by Paul Simon, the Staple Singers Aretha Franklin and more

Watch two funk-rock guitar gods unite for the ultimate acid guitar jam
By Jonathan Horsley published
Woodstock '69 finally had some competition as the ultimate acid guitar jam when Rockpalast 1985 united two funk-rock guitar gods under a trippy groove

Alice in Chains’ Mike Inez on Paul McCartney, why Cliff Burton ruled and what John Entwistle told him
By Nick Wells published
Inez is a rock bass powerhouse, holding it down with AIC, Ozzy, Heart, guesting with Slash. Here he discusses a life in low-end and the evolution of his style

Andy La Rocque on why he is no longer a 120mph soloist – and we can expect from the long-awaited King Diamond album
By Gregory Adams published
La Rocque has been the King's six-string courtier for 40 years now. Here he tells us how it all began, how his style has evolved, and yes, the new stuff is coming...

Randy McStine reveals all behind his cosmically epic solo on Steven Wilson's The Overview
By David Mead published
When Wilson asked McStine to redefine the guitar solo for the 21st-century, David Gilmour's greatest solo was the reference. The catch? No pentatonic minor blues. It was to be comfortably new

Chris Holt compares his Eagles and Dirty Knobs gigs
By Andrew Daly published
Former Don Henley sideman has a multi-amp rig when he plays with Mike Campbell, and a stipped down in-ears-only setup for the Sphere – but he always has 12 guitars standing by

The Cars’ Elliot Easton on his John Lennon doubler, the secrets of his pedalboard – and the wizard who made it
By Andrew Daly published
Easton has a Dumble-in-a-box, 12-string jangle on demand and a whole bunch of wildcards on a pedalboard that's got a little bit of everything

Meet Mei Semones, the Berklee graduate reimagining New Orleans vibes with an intricate indie flair
By Cheri Amour published
With her debut album out now, she explains her move from piano to classical nylon to PRS electric, her pinch-harmonic pointers, and mastering the Stairway To Heaven solo at 12 years old
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