Features
Latest Features

John Paul Jones’ best Led Zeppelin basslines
By Nick Wells published
A choirmaster, organist and expert in many archaic music styles, John Paul Jones also happened to play bass guitar in the biggest heavy rock band there has ever been

Johnny Marr on reinventing the Fender Jaguar (again), the “biggest reunion of all time” and why Nile Rodgers deserves more credit
By Janelle Borg published
Marr is one of guitar's most prolific collaborators, having played with The Smiths, The Pretenders, Modest Mouse, The Cribs, The The, and even Hans Zimmer – now, he’s pushing the limits of the Fender Jaguar’s design, all while keeping both eyes firmly on the evolution of the guitar world and its most exciting new generation of players

How John Suhr built one of guitar’s hottest boutique brands
By Amit Sharma published
John Suhr knows a thing or two about tone. Hey, the guy oversaw repairs at Rudy’s Music in NYC, modded amps with Bob Bradshaw, became a Senior Master Builder and launched his own brand

Jerry Jemmott played with B.B. King and George Benson – but two car accidents influenced him the most
By Andrew Daly published
A childhood head injury meant the session icon had to find his own way of making music. But after working with King, Aretha Franklin, Benson, Roberta Flack, and many others, he’s proud to be a poster boy for not knowing what he’s doing

The difficult Radiohead song that reduced Thom Yorke to tears – and went on to be a viral smash
By Jackson Maxwell published
Inspired by seeing Jeff Buckley in concert, Thom Yorke wrote this stunning power ballad of sorts while under pressure to produce a follow-up to the band's breakthrough hit, Creep. In the end, it was a huge mixing mistake that helped make it a classic, and a hit – 30 years later

Dave Davies on the Kinks’ argumentative energy, mixed feelings on Van Halen, and Jeff Beck, the “loose cannon”
By Joe Bosso published
One of the O.G. progenitors of rock 'n' roll sits in with us to discuss the vital spark that lit the fire for a new generation – the sound, the fury, the friction, and the legacy

Big Wreck’s Ian Thornley on channeling Eric Johnson and Steve Morse – and why he’s called a guitar the “Jungle Gym”
By Gregory Adams published
Cutting loose on his Suhr electrics, Ian Thornley is officially enjoying himself on the Canadian rockers latest LP, The Rest of the Story. He discusses his intro to metal, pinch harmonics, and wrestling with producers

Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power
By Jamie Dickson published
With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Far Caspian made one of this year's best indie records, and he did it by paring down guitar layers and embracing dirt
By Jackson Maxwell published
Joel Johnston channels R.E.M. and shoegaze on his latest indie-rock opus. He tells us why he’s a Japanese-built Fender offset loyalist through and through
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