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The story of Gibson’s “cursed” 1952 Les Paul and why it was long overlooked on the vintage market
By Dave Davidson published
Vintage guitar expert Dave Davidson gives us a guided tour of a very special ’52 Goldtop with a neck profile that gives it VIP status. The ’52 is one of the first Les Pauls ever made. Why doesn't it get more love?

“Everything one could want in a top-grade electro-acoustic”: Why we’ve fallen for Martin OM-28E
By Neville Marten published
Vintage ‘breathy’ tone, L.R. Baggs’ top-class Anthem electronics, this upgraded Standard Series acoustic electric is mind-blowing

From Oceansize to Biffy Clyro and now Cardiacs, Mike Vennart is one of the UK’s greatest under-the-radar guitar talents
By Andrew Daly published
With a style somewhere between shred, Slayer and Pavement, Mike Vennart has headlined some of the world’s biggest festivals, played with Dave Lombardo, and now he’s fronting his all-time favorite band. He attempts to make sense of the many twists and turns in his career

Joe Bonamassa on defying the blues police, his greatest tone discoveries and why you’re not a success until you’re a meme
By Andrew Daly published
When you’re on a winning streak, don’t mess with the formula – and opinions be damned, says blues phenomenon Joe Bonamassa

The Wants’ Madison Velding-VanDam is reimagining jagged post-punk guitar over a genre-spanning sonic landscape
By Adam Kovac published
NYC’s the Wants return with Bastard, a sophomore album that transforms personal tragedy – and yeah, some additional bad luck – into a groundbreaking sonic landscape

What’s the optimum weight for a Les Paul? And is there such a thing as too heavy?
By Dave Burrluck published
Weight is one of the thorniest issues in guitar. We all have our preferences – but should there be a limit?

Adrian Belew on his carpal tunnel fears and recovery, working with Vai and Frank Zappa, and his next musical adventure
By Andrew Daly published
As he recovers from surgery, the progressive guitar icon draws a line from Frank Zappa through Talking Heads, King Crimson and Beat, explains his synergy with Steve Vai, and hints at the pedals that will drive his future creations

Chris Turpin on teaming up with Greta Van Fleet’s Jake Kiszka for Mirador and the unplanned magic of rock
By Henry Yates published
The Ida Mae guitarist isn't even sure what to call Mirador, but with some tone mojo from cranked half-stacks and Jake Kiszka’s raw, effervescent energy, they've got something good going on
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