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Pedalboard inspiration incoming... Here are our 30 favorite new guitar pedals from the past 5 years
By Guitarist editors published
We break the glass on the pedal cabinet to dig out a long-list of some of the coolest effects from the new Golden Era of stompboxes
![[From left] Albert Collins, Robert Crae, Johnny Copeland are pictured with their guitars for the cover of their 1985 blues classic, Showdown!](https://cdn.mos.cms.futurecdn.net/LXLhnEv5ajK8P6jFYejjaB.jpg)
Robert Cray tells the story behind the greatest all-star blues team-up of the ‘80s
By Andrew Daly published
In 1985, Albert Collins, Johnny Copeland, and Robert Cray got together for Showdown! – a bona-fide blues classic, and, as Cray tells us, a real fun time, too

From his live show, to cutting classics, Yngwie Malmsteen has always lived off-the-cuff
By Amit Sharma published
He explains why his guitars are numbered, not named, his warts-and-all approach to studio work – and why his “I won’t conform or follow” attitude has nothing to do with arrogance

Session legend John McCurry on Cyndi Lauper, Alice Cooper and the stories behind his biggest hits
By Andrew Daly published
A long-time collaborator of Lauper and Lennon, scoring hits with Bonnie Tyler, Belinda Carlisle and Alice Cooper, McCurry’s session career is legendary. To think he started out on accordion…

How Tommy Shannon stumbled onto the foundation for one of Stevie Ray Vaughan’s biggest radio hits
By Bryan Beller published
What started with a rehearsal room groove ended up an SRV classic. We dissect the anatomy of bassline that walks the line (you might even call it a Tightrope) between blues, rock and funk

Bob Mould on myth vs reality and the making of Hüsker Dü’s New Day Rising
By Jon Weiderhorn published
Tension? What tension? New Day Rising found Hüsker Dü's creativity surging, setting the table for Flip Your Wig. But is it as influential as people say is? Mould is not so sure

How Samantha Fish used raw amp energy and “wild, funky, weird” guitars to make new album come alive
By David Mead published
Paper Doll is the sound of Fish unleashing the riffs and working a newfound confidence with her vocals, and it has some seriously sizzling tones

That Pedal Show’s Daniel Steinhardt reveals his top 5 pedals (from the past 5 years)
By Jamie Dickson published
Looking for some 'board inspiration? Here, the man behind GigRig and one half of YouTube's favorite pedal show gives us his shortlist
![Kiss sans make-up in 1985. With Gene Simmons [left] sticking his tongue out, Paul Stanley looking spaced, and Bruce Kulick taking a solo on a silver Superstrat.](https://cdn.mos.cms.futurecdn.net/akENRCwMmS4SApSFXwSHiQ.jpg)
In 1985, Kiss needed the best and got the best – his name was Bruce Kulick
By Andrew Daly published
It was the no makeup era of Kiss, and after a succession of guitarists, they needed an ace in the pack. Kulick stepped up, and brought his A game. Here he reflects on a pivotal moment in Kisstory

Michael Monarch was just 18 when he tracked one of the most iconic riffs of the ’60s – next came Janis Joplin
By Andrew Daly published
Fan of slide-based tuning recalls not being credited for his work with Janis Joplin, why he left Andy Fraser’s band, waiting to work with Roger Glover, and why Led Zeppelin couldn’t save Detective, his band with Michael Des Barres
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