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Ozzy Osbourne couldn’t play guitar. Yet he changed the guitar world by introducing some of its greatest heroes
By Henry Yates published
The late heavy-metal icon did not, could not, play guitar. Yet his contribution to the scene – whether giving a platform to fledgling gunslingers or igniting their talents – was inestimable

Meet Derek Day, the swaggering virtuoso who went from busking on the streets to touring with his hero
By Andrew Daly published
The 24-year-old explains how he merges prog and glam, and escapes the “originality ordeal” of an ancient instrument by hopping between Fender, Gibson, PRS and Ibanez (even if he prefers to write on cheap knock-offs)

The Cars’ Elliot Easton on the Flying V that Tim Shaw built him – a “gorgeous” guitar (even if Gibson slipped up on his name)
By Andrew Daly published
Easton’s 1982 Gibson Custom Shop left-handed Flying V was a much-loved guitar, but when someone offered "stupid money" for it he couldn’t turn it down. Still, it looked cool on the cover of GW

Why do some guitars sustain better than others? It’s complicated
By Charlie Wilkins published
With some help from Banker Guitars’ Matt Hughes and SonoTone Strings’ PK Pandy, we unpack the mysteries of sustain – and why it differs from resonance and volume

Having played in the Pixies, Zwan, and A Perfect Circle, Paz Lenchantin knows a thing or two about the bass guitar and its role in rock
By Nick Wells published
Former Pixies bassist Paz Lenchantin still has a few tricks up her sleeve, including a debut solo album

Mark Morton on his all-star solo album feat. Grace Bowers, Tyler Bryant and a perfect solo from Jason Isbell
By Andrew Daly published
The Lamb of God guitarist reveals how he enlisted some of Southern rock’s finest for Without the Pain

Bob Mould on the rise and fall of Hüsker Dü, and what changed when he swapped his Ibanez Rocket Roll for a Strat
By Jon Wiederhorn published
In a rare interview, the Hüsker Dü and Sugar mastermind walks us through his entire career, right on up to his brand-new “give the people what they want” record, Here We Go Crazy

1959 Gibson 'Burst Les Pauls – what makes them so darn valuable?
By Amit Sharma published
Widely considered to be the Holy Grail for guitar enthusiasts and collectors, 'Bursts feature on many of the most important rock albums ever made. So what exactly went into the secret sauce?

How Tom Waits' offhand joke began a decades-long creative partnership with Keith Richards
By Jackson Maxwell published
Though their string of collaborations sprung from an offhand joke made to record executives, the singer/songwriter best known for his singular, gravelly, time-weathered vocals clicked immediately with the wizened rhythm guitar master who's lived a thousand lives
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