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Latest Features

Richie Kotzen and Adrian Smith on absurd volume, improv and how long a solo should be
By Jamie Dickson published
We meet Smith and Kotzen pre-show to talk gear, their new album Black Light/White Noise, and find a pair whose chemistry makes this a hard-rock project with legs

The making of the Telecasso – the Telecaster-Picasso mashup that has driven guitarists crazy
By Janelle Borg published
Les Godfrey has been crafting guitars for over 30 years, and with his latest creation, he brings a Cubist take to a timeless model

My Chemical Romance's struggle to follow up The Black Parade
By Joe Bosso published
The Black Parade nearly killed the band. But My Chemical Romance found changing directions almost as fatal when it came to making Danger Days: The True Lives of the Fabulous Killjoys

“You could scrape that guitar, smoke the residue and get strung out”: Walter Trout’s life in three guitars
By Mark McStea published
The Strat-addicted bluesman describes the three guitars he couldn’t, can’t or won’t live without

I saw Angine de Poitrine live – and witnessed the greatest polka-dot guitar hero since Randy Rhoads and Buddy Guy
By Michael Astley-Brown published
Some have dismissed the microtonal duo as a gimmick, but their musicianship is no joke

How the hunt for clicks has made the lone guitar intro obsolete
By Phil Weller published
Contemporary counterparts to Smoke on the Water and Whole Lotta Love are increasingly rare. Are we about to see the tables turned?

How to survive setbacks when music is your identity, not just your job
By Glen Phillips published
Australian metal veteran Glen Phillips on what he wished he knew when he was starting out

75 years of the Telecaster: the evolution of the original solid-body electric guitar that started it all
By Huw Price published
As the Telecaster turns 75, we chart its history – hardware, parts, and all – from the Nocaster days to the Wide Range era

“I’ve never concerned myself with the Big Four”: Gary Holt and Lee Altus on why Exodus will never be a legacy thrash act
By Jon Wiederhorn published
The Bay Area thrash stalwarts return with the face-ripping Goliath, an album that finds them with nothing to prove but Holt's still out for blood anyway

Linda Perry on the enduring success of 4 Non Blondes’ What’s Up?, and the Goldtop she wouldn't sell to Slash
By Andrew Daly published
The veteran hitmaker recalls attending guitar class without owning an instrument, and reveals why she decided to re-record the smash she wrote for Christina Aguilera
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