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Latest Features

Dan Hawkins says it’s a miracle The Darkness have survived so long
By Naomi Baker Published
Goes to 11 His most prized Gibson was made for Jimmy Page and contains an Angus Young pickup. He knows the difference between opening for Metallica and Iron Maiden. He knows kids hate AI. And there’s one thing that he can’t tell you for legal reasons

How a $20 box designed for cheap speakers became the secret weapon behind Metallica’s massive Black Album guitar sounds
By Brandon Stoner Published
How the SRS WOW Thing became an unlikely studio must-have, proving that how tools are used is more important than what tools are used

“Frank who? They were like, ‘Frank Ocean!’” How Cashier’s DIY alt-rock sound is winning them fans in high places
By Jacob Paul Nielsen Published
Kylie Gaspard and Jo Perillo discuss the nuanced differences between shoegaze and alt-rock, and the borrowed J. Mascis Jazzmaster that holds the key to it all

How rhythm and lead techniques can combine for the ultimate blues solo – especially in a trio
By Richard Barrett Published
This lesson presents an improvised blues solo as a launchpad for your own improv

The story of Danny Gatton’s strange, magical ’53 Telecaster – and where it is today
By Chris Gill Published
With a Willie Nelson autograph carved into the finish and a mount for a “Magic Dingus Box” controller, “The Telemaster”’s #1 was truly one-of-a-kind

Why Ritchie Blackmore’s iconic Marshall stacks were actually Vox amps in disguise
By Janelle Borg Published
From the Archive Back in the ’70s, the Deep Purple guitarist was on the hunt for a specific sound, look and wattage, so the Marshall team found a way to get the best of all worlds (even if it meant using a rivals’ components)

Decoding the notes between the notes – the ultimate guide to microtonal guitar
By Matt McCracken Published
Ready for a math and history lesson? We break down microtonal music’s mind-bending tones for the modern guitar player

Bass journeyman Kasim Sulton on Meat Loaf, Todd Rundgren, Joan Jett, the New Cars, and the hand he never got to shake
By Andrew Daly Published
Keeping his bass rig simple for the most part, he recalls the fun of overplaying on Bat Out of Hell while thinking it would sink without trace, and writing Utopia’s only hit in 20 minutes after reality struck

“I hit the first chord and my Marshall blew up”: Richie Sambora on Bon Jovi's nightmare arena debut
By Jackson Maxwell Published
Reflecting on the experience decades later, Sambora said that – embarrassing as they are in the moment – mishaps like that are “what shape you as a pro”

Alice Cooper’s guitar trio on how a wunderkind from England temporarily replaced Nita Strauss
By Andrew Daly Published
Not just anyone could temporarily fill Strauss’ shoes in Alice Cooper’s band. In this GW exclusive, Coop’s longtime sidemen reveal how Anna Cara scored shock-rock’s biggest gig
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