Jake Bugg on resisting the urge for a guitar adventure – and why his number one acoustic is made from a kitchen table
The English singer-songwriter talks vintage guitars, songwriting and the importance of enjoying your work
Jake Bugg’s new, fifth album Saturday Night, Sunday Morning is filled with his signature blend of anthemic pop and introspective folk rock. For guitars, he favoured vintage models – and one made from a table…
You say you’ve had more fun making this record than ever before – what made it so?
“I think I allowed myself to enjoy it, just by being a lot more open-minded this time around and more willing to try new things.“
What does the new record say about you as a guitarist?
“To be honest, I think the new record probably doesn’t reflect my playing as much as previous records, but I think that’s because I just tried to play to the songs a bit more this time around. Sometimes, as musicians, you probably stick an extra guitar solo in there that doesn’t need to be there and things like that. I don’t have too many guitar adventures on my albums – we kind of save those for the live shows.“
Which of your guitars will we hear on the album?
“On Kiss Like The Sun we used a 000-18 Martin – an old vintage one – which was great. I’ve got a 1940s D-28 which I think I used on a couple of songs, and I have my 1966 Fender Stratocaster, which I just love and that’s my main live guitar. I bought it in Texas many years ago. Also, I have a 1950s Les Paul double cutaway, which I bought in Nashville. That got used on Lonely Hours.“
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Do you always buy vintage?
“I kind of went through a phase of just buying vintage guitars, but I haven’t bought many for a while. I have so many that I still need to use and I’ve got some very special items. I’ve got a 1953 J-185 Gibson acoustic.
“Apparently – I got told – they only made 860 of them or something ridiculous. I got that in Japan and it’s a bit of a dilemma because you’ve got these beautiful guitars and you don’t want them to get ruined, but they’re also supposed to be played.“
And there’s a guitar made out of a table?
“That’s true! It’s a Patrick Eggle parlour guitar that he made for me. I believe the story was that he had a friend who was getting rid of an old mahogany kitchen table, and I think he paid him thirty quid, and just made me this absolutely stunning guitar. That’s the main acoustic I use live.“
- Saturday Night, Sunday Morning is out now via Arista.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Since graduating university with a degree in English, Ellie has spent the last decade working in a variety of media, marketing and live events roles. As well as being a regular contributor to Total Guitar, MusicRadar and GuitarWorld.com, she currently heads up the marketing team of a mid-scale venue in the south-west of England. She started dabbling with guitars around the age of seven and has been borderline obsessed ever since. She has a particular fascination with alternate tunings, is forever hunting for the perfect slide for the smaller-handed guitarist, and derives a sadistic pleasure from bothering her drummer mates with a preference for “f**king wonky” time signatures.
“From the first chord, we both thought, ‘Wow’ – I quit my band and moved to Denmark”: How husband-and-wife duo the Courettes became one of the most exciting bands in the garage-rock underground
“I played and sang Suffragette City and everyone else was doing Foxy Lady – I was so drunk, I didn’t even know”: The Cure’s Robert Smith on his disastrous first show as a singer and guitarist... when he butchered a Jimi Hendrix classic