The history of Gibson’s L-1 and L-00 acoustics, contemporaries of the legendary Robert Johnson

Gibson L-1 and L-00
(Image credit: Future / Neil Godwin)

Flat-tops were popular instruments in America throughout the 19th century, with market leaders Martin introducing its first US-made guitar in 1834. However, the first Gibson flat-tops appeared as late as 1926, beginning with the small-bodied L-0 and L-1 models. 

Prior to this, Gibson’s L-series guitars comprised archtops – Orville Gibson’s grand contribution to the guitar world – including the 1918 L-1 pictured here. Robert Johnson is perhaps most famously associated with the L-1, having been photographed holding one, albeit the later flat-top version, a markedly different design to its earlier namesake, which was produced from 1902 to 1925. 

The L-1 archtop was originally available in standard or concert sizes – 12½ and 13½ inches in width respectively – until 1908, when the smaller size was dropped from production. Inheriting the “concert size” width of 13½ inches, the 1926 flat-top L-1 was introduced with a 12-fret design and this is the more rounded version Robert Johnson was photographed with. 

In the late-1920s, the L-1’s body was redesigned with a squarer lower bout measuring 14¾ inches across, and by 1932 14-fret necks were standard. By 1937, the L-1 was discontinued, although Gibson has since reissued the model due to popular demand.

Gibson L-10 and L-100

Until its first flat-tops – the L-0 and L-1 – appeared in 1926, Gibson’s L-series guitars were all archtops (such as the 1918 L-1 on the right). The L-00 flattops followed in the early 30s; our example on the left here is from 1934. (Image credit: Future / Neil Godwin)

Much like Martin’s 0- and 00-size flat-tops, small-bodied Gibson acoustics have experienced a resurgence in recent years, with Gibson currently offering no less than six variants of the L-00 – namely, the Studio Walnut, Studio Rosewood, Sustainable, Standard, Original and Deluxe models.

Introduced in 1931, the L-00 commonly features a width of 14¾ inches and a 14-fret neck, much like the later L-1 models. Upon its release, it was finished in black, with sunburst becoming standard a few years later (as per the 1934 L-00 pictured, far left), followed by a natural option from 1941.

During the formative blues years of the early 20th century – notably during the Great Depression – many guitarists enjoyed playing less expensive guitars from builders such as Stella and Washburn

Having survived production throughout World War II it was discontinued in 1945. During the formative blues years of the early 20th century – notably during the Great Depression – many guitarists enjoyed playing less expensive guitars from builders such as Stella and Washburn.

Back then, Gibson and Martin were, as they are now, premium brands whose instruments were simply unobtainable for many. Nevertheless, both companies made efforts to provide more affordable flat-tops: Martin with its 17-series, and

Gibson as part of its L-series. Skilfully crafted using the same quality materials as higher-end models, these vintage guitars are more revered by players today than ever.

  • Guitarist would like to thank Delta blues ace Andrew Bazeley for the loan of these classic Gibsons

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David Mead

With over 30 years’ experience writing for guitar magazines, including at one time occupying the role of editor for Guitarist and Guitar Techniques, David is also the best-selling author of a number of guitar books for Sanctuary Publishing, Music Sales, Mel Bay and Hal Leonard. As a player he has performed with blues sax legend Dick Heckstall-Smith, played rock ’n’ roll in Marty Wilde’s band, duetted with Martin Taylor and taken part in charity gigs backing Gary Moore, Bernie Marsden and Robbie McIntosh, among others. An avid composer of acoustic guitar instrumentals, he has released two acclaimed albums, Nocturnal and Arboretum.