Jakko Jakszyk on his greatest gear finds – including a Gibson ES-150D that piqued Robert Fripp's interest By David Mead The King Crimson guitarist walks through the guitars and amps he's loved and lost
Breedlove Premier Concertina CE review By David Mead A hand-built parlor-on-steroids from Breedlove’s Bend, Oregon, facility – and it’s full of surprises…
On the trail of the real Robert Johnson By David Mead Mythologized more than any other figure in modern music, A new book hopes to set the record straight about Johnson's life
The history of Gibson’s L-1 and L-00 acoustics, contemporaries of the legendary Robert Johnson By David Mead Acoustic guitars don't get much cooler than mid-1920s Gibson flat-tops
JD Simo on the best (and worst) guitars he's bought over the years By David Mead The psychedelic blues sensation shares his hard-won advice on how to buy a great guitar and avoid duds
Eddie Van Halen goes deep on his approach to tone, technique and guitar design in this classic 1993 Guitarist interview By David Mead EVH details the advent of Van Hagar, that time he took a belt sander to a 335, and why Neil Young's Cinnamon Girl is one of his favorite solos of all time
Sheeran By Lowden S03 & W02 review By David Mead Ed Sheeran and George Lowden combine forces to produce an affordable acoustic range that's small but perfectly formed
Steve Hackett: ”The wounds never healed from my dad’s guitar. He said, ‘You’ll get calluses’… but I just had fingers that were bleeding!” By David Mead The former Genesis guitarist on the story of his career, from the mouth organ to prog-rock trailblazer
Joe Bonamassa shares his greatest finds from a lifetime of buying and selling guitars By David Mead Here’s a guy who knows a thing or two about buying guitars – and it turns out he’s sold a few, too…
Gibson G-45 Standard and G-45 Studio review By David Mead The Gibson renaissance gathers pace with two brand-new mid-priced acoustics from its Bozeman, Montana factory…
What makes a great-sounding acoustic guitar? By David Mead, Jamie Dickson, Dave Burrluck Some of the world's finest acoustic builders discuss what goes into making a guitar sing
Walter Trout on his best guitar-buying tip, breaking a Les Paul in two, and why he'll always be a single-coil guy By David Mead Of all the gear the ex-Bluesbreaker has owned, it's the Gibson ES-335 that got away that he misses most
A guide to Martin acoustic guitar body sizes By David Mead Get to know the tonal differences between the iconic acoustic company's different body shapes
Geoff Tyson on the big gear questions, 20-kilo guitars and his Frankenstein “hodge-podge“ Strat By David Mead Satriani’s former student checks in to talk about the buying and selling of gear and that digital amp that sits by the door
Cort Gold-OC6 review By David Mead An all-solid OM acoustic that's Fishman-powered, feature-packed, with a price that won’t break your heart...
Bernie Marsden looks back on his final encounters with Peter Green By David Mead The Whitesnake and UFO guitarist shares his memories of his hero, friend and fellow rock legend
Larrivée C-03R-TE Custom review By David Mead A tribute to a Tommy Emmanuel studio favorite, the Larrivée C-03R-TE pairs understated good looks with captivating tone
Mike Landau: "Some people drive fancy cars - I went with a cheap Ford and bought a Dumble instead" By David Mead Bought and Sold: He’s played with artists like Joni Mitchell, James Taylor, Phil Collins, Miles Davis and Pink Floyd - but Mike Landau still mourns the ’61 Strat that got away...
John Smith: “As soon as you take your bottom E string down to a D, you’ve got a different instrument” By David Mead One of the UK’s fastest-rising singer-songwriters on the magic of alternate tunings, his tonesome acoustic pedalboard, and not letting lockdown stop the music
Adrian Vandenberg: "At 16 you think if you’ve got a good guitar and a good amp, you’re going to sound like Jimi Hendrix!” By David Mead Bought & Sold: The ex-Whitesnake guitarist displays a fondness for Gibson Les Pauls and regret at selling an original Marshall Plexi...
How Gary Moore came to own Peter Green's iconic Les Paul, Greeny By David Mead In this 1995 interview, Moore reveals how Green's departure from Fleetwood Mac led him to sell his legendary guitar - for a surprisingly low price...
Tora Dahle Aagård: "Playing guitar is my meditation" By David Mead Norway's genre-shifting six-stringer talks gear, why she's not a typical guitar player, and how School of Rock changed her life
Cory Wong: "When I play a Stratocaster, it draws out my voice in an easy and effortless way" By David Mead The funk rhythm master goes deep on gear, playing with Vulfpeck and The Fearless Flyers and his unending love for the Fender Strat
Joe Satriani on his greatest used guitar find, Bonamassa-inspired buyer's remorse and why he just can't play SGs By David Mead Satch on his six-strings past and present, and a previously unthought-of attachment to a 1958 Fender Esquire…
Faith Neptune Blue Moon review By David Mead With a figured Java mango build, Faith’s new Neptune acoustic offers a fresh approach, but are the tones otherworldly?
![Gibson's Generation series comprises the G45 Standard [right] and slightly more affordable G45 Studio [left]](https://cdn.mos.cms.futurecdn.net/6cUgWjUJXFGCB57kvptbPo-1024-80.jpg.webp)
