Seymour Duncan Jason Becker Perpetual Burn Pickup — Demo Video

Below, check out a new demo video (posted May 8) of the Seymour Duncan Jason Becker Signature Humbucker.

The pickup uses an Alnico 5 bar magnet and a hotter-than-vintage wind to provide all the clarity and dynamic punch that Becker's incredible chops demand.

Measuring 12.11k DC resistance, this pickup has enough output for shred and metal while remaining sensitive enough for rock, blues and fusion. That's a Carvin JB200C guitar in the clip, by the way!

For more information on the pickup, visit seymourduncan.com.

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

More about guitar pickups

Philip Sayce has some of the most potent guitar tones in modern blues rock – and now Seymour Duncan has recreated them with a signature single-coil set inspired by his go-to vintage Strat

“One of the most genuinely unique guitar tones I’ve ever heard”: Submarine Pickups Subsix review

“It’s unreal that my own name is one of the coolest finishes I think Fender has ever done”: Fender teams up with country superstar Brad Paisley on a signature Telecaster that brings back a cult classic finish from the 1960s

See more latest

Most Popular

“There’s a sleek look to bands like Loathe, Spiritbox or Knocked Loose. Spiky shapes are engrained in our values – we want to wear our influences on our sleeves”: Employed To Serve are re-embracing metal guitars – but dropping amps

There’s no getting away from the fact that many major Japanese brands gained ground by cloning US designs, even fairly niche ones such as this 1972 Ibanez 2380 – a copy of the Gibson Les Paul Recording model of the era

“Tokai’s LS series are probably the best-built Les Paul-style guitars that have ever come through my shop”: How the Japanese guitar market came of age with ’80s Fender and Gibson clones – some that would rival the originals

1964 Epiphone Riviera: By 1964, the earlier ‘Mickey Mouse’ body ears of the Riviera had slimmed. The six-string is an unusual sunburst with narrower dark edges, while the 12-string E360TD-12 is the more common Royal Tan

Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar

“Smashing Pumpkins taught me that music doesn’t have to fit neatly into a box… it’s not as easy as pie. It’s pie with a side of metal!” Billy Corgan asked Jenna Fournier to go back to bass, and she says the timing is perfect

Pictured from below, Doug Aldrich of the Dead Daisies plays his Gold Top Les Paul onstage.

“I always used it with Whitesnake, which was perfect because it sounded like John Sykes' Les Paul”: Doug Aldrich on how Randy Rhoads’ inspiration helped him find a “killer” Les Paul – that was owned by the man who co-wrote Eric Clapton’s Tears in Heaven

Klon Centaur creator Bill Finnegan once said that the hype around his pedal was “ridiculous,” yet originals still fetch $10,000 or more on the secondhand market. With plentiful, far cheaper clones, why does the Klon remain a holy grail pedal?

“Norm was like, ‘Do you want to play with Joe?’ Before I could say ‘yes’ or ‘no,’ he brings Joe over and tells him, ‘Jason wants to play a set’”: Jason Sinay on jamming with Joe Bonamassa – and why his early sessions with Mike Campbell were a struggle

Toby Lee stands in front of a blue velvet curtain and wears a Breton stripe T-shirt and plays a Gibson Firebird.

“I remember there was a video of Gary Moore and he played Red House on this Fiesta Red Strat, and I thought it was just the most incredible thing”: Is Toby Lee Britain’s next blues-rock superstar?

Steven Wilson plays his Custom Shop Fender Telecaster onstage with Porcupine Tree – that Tele is all over his new solo album, The Overview Effect

“I love the guitar, but essentially it’s an instrument that belongs to the 20th century in many ways. So it’s a question of, what can you do to try to reinvent that vocabulary to make it seem relevant?”: Steven Wilson on the making of a cosmic prog epic

“I had big shoes to fill, but I knew I had a lot to offer on my own. I think Billy Corgan saw that in me”: From Veruca Salt to the Smashing Pumpkins and Garbage, Nicole Fiorentino has become alt-rock's go-to bassist

Get The Pick Newsletter