Guitar World: August 2011 Issue Video Downloads

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Since 1980, Guitar World has brought guitarists the best in-depth interviews with great players, along with exclusive lessons, informative gear reviews and insightful columns that help guitarists grow and excel on their instrument. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is your guide.

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“The neck is essentially twice the thickness of many standard necks. It was like, ‘Let’s see how big we can go – let’s go for a record-breaker’”: The making of Phil Collen’s monster new Jackson Tele-style

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“It’s capable of being terrifyingly loud. When we launched the LFR-412 at NAMM 2024 we couldn’t turn it up beyond 2”: How Laney brought volume and best-in-class tone for digital rigs with the world’s loudest active guitar cabinet

“Tony Rice said, ‘This is the sound you should be going for – you just need to put it in a bigger package’”: How Dana Bourgeois led the OM-style guitar renaissance and turned Bourgeois Guitars into a guitar craftsmanship powerhouse

“It actually goes up to infinity, which is what true tape flanging sounds like”: Beloved by Pat Travers and Adrian Belew, the A/DA Flanger was one of the greatest guitar effects of the ’70s

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“Fender mentioned that for the Tone Master Pro it takes about 3 months to model a channel. With TINA, we've got that down to hours”: How Neural DSP changed the digital guitar gear game with the help of a robot called TINA

“It’s so difficult. The guitar has got a life of its own and it’s got to move on”: Why Rory Gallagher’s iconic Strat is up for auction now – and the political pressure to keep it in Ireland

“You have more tone, more sustain and more stability. It’s like the best just got better”: How Eastman realized its vision for the future of the electric guitar with the D’Ambrosio range

“Why are the single-pickup models of particular interest? Well, they really can sound better”: The Gibson ES-330T might have been the “runt of the litter”, but its unusually positioned P-90 pickup offers a unique experience among Gibson hollowbodies

“Since the Sphere, we have begun using iso cabinets for the speaker cabinets and the Leslie, leading to all the amps and speakers being off-stage”: Trey Anastasio’s tech, Justin Stabler, reveals all about the Phish frontman’s new live guitar rig

“Paul was a guitarist who switched to bass because the group needed one, as this song proves”: Did Paul McCartney fumble a note on this classic Beatles bassline?

“It was a bit of a number for me to have to dare to tell George Harrison not to play guitar. It was like an insult”: Paul McCartney turned down George Harrison's proposed guitar parts for Hey Jude

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