“I had to go outside to the garbage bags and find the certificate because I’d thrown it away!” The Cult’s Charlie Jones didn’t know about his Grammy win for Please Read the Letter… because he didn’t read the letter

Charlie Jones of the Cult plays a see-through bass guitar live onstage and sings into the mic.
(Image credit: Sam Morris/Getty Images)

Sometimes it takes a bit of time before a song gets its dues. Sometimes a song can have a second life, and this second life can even take its writer by surprise. For example, take Charlie Jones, bassist for the Cult, formerly of Page & Plant, and his relationship with Please Read the Letter.

You might remember this track from Page & Plant’s 1998 studio album, Walking Into Clarksdale. Produced by the late, great Steve Albini,Walking Into Clarksdale was the sound of Page & Plant going back to their roots (referencing the roots of blues guitar in the process).

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Jonathan Horsley has been writing about guitars since 2005, playing them since 1990, and regularly contributes to publications including Guitar World, MusicRadar and Total Guitar. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.

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