“I had to go outside to the garbage bags and find the certificate because I’d thrown it away!” The Cult’s Charlie Jones didn’t know about his Grammy win for Please Read the Letter… because he didn’t read the letter

Charlie Jones of the Cult plays a see-through bass guitar live onstage and sings into the mic.
(Image credit: Sam Morris/Getty Images)

Sometimes it takes a bit of time before a song gets its dues. Sometimes a song can have a second life, and this second life can even take its writer by surprise. For example, take Charlie Jones, bassist for the Cult, formerly of Page & Plant, and his relationship with Please Read the Letter.

You might remember this track from Page & Plant’s 1998 studio album, Walking Into Clarksdale. Produced by the late, great Steve Albini,Walking Into Clarksdale was the sound of Page & Plant going back to their roots (referencing the roots of blues guitar in the process).

But there was one track Plant couldn’t shift from his mind for years after – one he co-wrote with with Jones, Please Read the Letter.

Speaking to Guitar World, Jones says he was the last to know. He was hibernating. To say it was a surprise was an understatement.

"Truthfully, it was!” he says. “I was in this weird situation where I’d come off tour, and I said, ‘I’m not gonna open any of my mail for three months. I don’t give a shit. I don’t care what comes through. I’m shutting myself away.’ And then, my manager called and said, ‘Do you realize you’ve got a Grammy for this song?’ [laughs]”

There’s a moral to this story. You make a record, write a song, you never know what’s going to happen next. But also, the touring musician should always keep on top of their mail.

Robert Plant, Alison Krauss - Please Read The Letter - YouTube Robert Plant, Alison Krauss - Please Read The Letter - YouTube
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“I went, ‘Really?’ My manager said, ‘Yeah… your certificates come through…’ I had to go downstairs and outside to the garbage bags, open them up, and find the certificate ‘cause I’d thrown it away!” says Jones, laughing at the memory.

He also says its a testament to Plant’s tenacity. He believed it could be something more, and that was why he revisited it with Krauss.

“I was surprised, but to Robert’s credit, he always had a vision for that song,” says Jones. “And it never dwindled.”

Please Read the Letter? The irony is a little too on the nose.

You can read the our full interview with Charlie Jones coming soon to Guitar World.

Jonathan Horsley has been writing about guitars since 2005, playing them since 1990, and regularly contributes to publications including Guitar World, MusicRadar and Total Guitar. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.

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