Throughout the Intro to this classic rock song (bars 1–4), and again during its chorus (in bars 14 and 16), guitarist Johnny “V” Vernazza employs a cool technique, in the Gtr. 3 and Gtr. 4 parts, that’s sometimes referred to as “harp harmonics” to perform what are more formally known as artificial harmonics (indicated in tab by the abbreviation A.H.) and create chime-y, flute-like melodies, which are based on arpeggiated chord shapes and played in two-part harmony by the two guitars on different strings, with each guitar playing one note at a time.
What to Remember When Performing Elvin Bishop's "Fooled Around and Fell in Love"
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