In Deep: More on How to Turn Improvised Phrasing Ideas Into Memorable Solos

These videos are bonus content related to the October 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

In last month’s column, I discussed a variety of phrasing techniques that can be applied effectively while creating improvised solos—for instance, starting each phrase from a specific chord tone, such as the root, third or fifth of the “tonic,” or “home key.”

We used as our rhythm track a chord progression along the lines of the classic Allman Brothers Band song “Melissa,” with the improvised solos based on both the E major pentatonic (E Fs Gs B Cs) and E major hexatonic (E Fs Gs A B Cs) scales. This month, I’d like to expand upon our exploration of phrasing approaches and use the A minor pentatonic (A C D E G) and A blues scales (A C D Ef E G) as played over a rhythm part along the lines of Stevie Ray Vaughan’s “Cold Shot” (Couldn’t Stand the Weather).

PART ONE

PART TWO

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Andy Aledort

Guitar World Associate Editor Andy Aledort is recognized worldwide for his vast contributions to guitar instruction, via his many best-selling instructional DVDs, transcription books and online lessons. Andy is a regular contributor to Guitar World and Truefire, and has toured with Dickey Betts of the Allman Brothers, as well as participating in several Jimi Hendrix Tribute Tours.