“Before there was Muff, there was boost”: Electro-Harmonix has reimagined the 1968 effect that launched the brand as a tone-shaping powerhouse – and it could become your pedalboard’s secret weapon

Electro-Harmonix LPB-3 Linear Power Booster
(Image credit: Electro-Harmonix)

Electro-Harmonix has announced the LPB-3 Linear Power Booster pedal, an updated, ultra-flexible update of the brand’s first-ever effect.

Launched in 1968, the original LPB-1 Linear Power Booster was developed while working on the debut Big Muff Pi: engineer Bob Myer built an outboard booster to increase the guitar signal going into the design. EHX founder Mike Matthews suggested running the effect between a guitar and amp – he was so impressed that he launched the pedal as his new brand’s first-ever product.

The mids are the frequencies where guitar tone lives, and it’s this range that so often defines the US vs UK tone debate. So by setting the mid frequency and level of boost, the LPB-3 can radically alter your tone and hone in on the sound you’re looking for. It could be just the thing to elevate those unloved overdrive and distortion pedals lurking in your closet.

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In modern EHX style, the LPB-3 boasts selectable buffered/true bypass switching and internally extended 30V power rails for extra headroom to avoid unwanted clipping.

Pair the considerable boosting capabilities with all that tone-sculpting, and this might just rank among the most versatile boost pedals on the market, allowing your signal to hit your amp’s front-end at just the right level while nipping and tucking your EQ in all the right places.

It’s relatively affordable, too: the LPB-3 Linear Power Booster is available from June 2024 for $129, including a 9V power supply.

See EHX for the full lowdown.

Michael Astley-Brown
Editor-in-Chief, GuitarWorld.com

Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.