“I got home, called Stevie and said, ‘I’m so sorry, but I’ve just been offered a job with Bob Marley’”: Junior Marvin recalls landing gigs with Stevie Wonder and Bob Marley on the same day – and how he was forced to make a life-changing decision
Although Wonder was offering a decade-long contract, Marley's camp had their eye on Marvin for over a year before the initial meeting was made
Across his prolific career, Junior Marvin has played with the likes of Steve Winwood, Toots & the Maytals and Lenny Kravitz. However, he’s perhaps most recognised for the role he held as electric guitar player for the late Bob Marley.
As it happens, when Marley was first seeking Marvin’s services in the late ‘70s, the guitarist had already been approached by Stevie Wonder, who offered him a lucrative deal to join his band.
Despite the fact the life-changing Wonder offer would have made him a household name – and secured him musical employment for a decade – Marvin ultimately turned him down in favor of joining Marley’s band.
Marvin reflects on this pivotal moment in his career in the new issue of Guitarist, and recalls how his work with Steve Winwood helped put him on the radar of producer Chris Blackwell, who planned to put him in a room with Marley.
Before that happened, though, Wonder came calling – and he came calling with a life-altering deal.
“So it’s Valentine’s Day in 1977 and I’m in England again as I was taking time off from playing. Just before Chris picks me up, I get a call from Stevie Wonder at my house,” Marvin says. “Stevie’s guitarist couldn’t do the tour, so Stevie needed a guitarist.
“Stevie had heard I was a good player and might be interested, which I would have been as I’m a big Stevie Wonder fan. But when I picked up the phone, I said, ‘Are you sure you’re Stevie Wonder?’ because I had difficulty believing he’d be calling.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“He said, ‘I’ve heard your albums and I like your feel.’ I said, ‘Okay...’ and then he said, ‘I’d like you to join my band, but if you do, I need you to sign a 10-year contract.’”
It sounded enticing enough – “I thought, ‘Wow. If I do that, I’ll become a household name,’ which gave me goosebumps; it was crazy,” Marvin remembers – but there was still the order of meeting Blackwell’s mystery artist.
He continues: “I told Stevie, ‘Can I think about it? 10 years is a long time. I’ll call you back in a couple of hours.’ Stevie said, ‘Okay, no problem,’ and off I went in Chris Blackwell’s Rolls-Royce with my guitar.”
“Chris takes me to this fashionable area and this big Edwardian house. We go in and I see from behind this little guy with dreadlocks who had this aura about him.
“He turns around and it’s Bob Marley. He walked right up to me, and I’m like, ‘Holy shit,’ and he slaps me five and says, ‘Welcome to The Wailers, man.’”
After jamming for a few hours with Marley, Marvin then remembered Wonder’s offer. However, Marley’s overwhelming enthusiasm for him – as well as his own passion for Marley’s music – proved to be a deal-breaker.
“Chris was already talking about recording sessions and starting rehearsals,” Marvin goes on. “I said, ‘Man, these guys don’t even know me...’ Chris stopped me, saying, ‘Yeah, we do. We’ve been studying you for over a year. You’re who we want.’
“I got home, called Stevie and said, ‘I’m so sorry, but I’ve just been offered a job with Bob Marley.’ He said, ‘Oh, I met Bob a month ago in Jamaica. He was great!’ They had jammed and people loved it, so he wasn’t upset; he liked Bob.”
Pick up the newest issue of Guitarist at Magazines Direct, which features the full interview with Junior Marvin.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Matt is a Senior Staff Writer, writing for Guitar World, Guitarist and Total Guitar. He has a Masters in the guitar, a degree in history, and has spent the last 16 years playing everything from blues and jazz to indie and pop. When he’s not combining his passion for writing and music during his day job, Matt records for a number of UK-based bands and songwriters as a session musician.
“There was a time you wouldn’t have touched a Superstrat, at least in my world – that was very illegal. It’s cool to be able to let go of those old feelings and those silly rules”: How Chris Shiflett learned to love his inner shredder
“The guitar can be your best friend one day and your rival the next – it keeps you on your toes”: London jazz ace Artie Zaitz on why the amp is your second instrument and how he learned to love mistakes