Former Guns N' Roses drummer Steven Adler -- the most blatant original Guns member about his desire to see a reunion of the Appetite-era lineup -- has said in a new interview with Straight.com that he would reunite with the band free-of-charge. An excerpt from the interview follows.
On the possibility of a Guns N' Roses reunion: "I mean I personally would do it for nothing! I'm not going to, but I would, for nothing. For two reasons: 1) we owe it to the fans. 2) I just want to finish what I started with those guys. I cut myself short. For 20 years I was saying to myself that they cut me short, but once I started workin' with Dr. Drew and took responsibility for my life and my actions, I realized I threw that away. So I just want to finish what I started with them. I want to go to heaven, and I don't want to come back. I don't wanna come back and be a baby, and be a teenager again. Oh my god, no! No, I don't want to be a teenager again. It's too awkward. When you were a teenager you'd get a boner and you're ashamed to walk around. Nowadays I realize, dude, if I woulda realized what I know now, then, I woulda walked around with my boner straight out, and rubbed it against every girl. But these are things I realize now. So forget it."
You can read more here.
Speaking of Guns, have you voted for your favorite Use Your Illusion song yet? If not, head here and tell us now before the voting ends on September 1.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Josh Hart is a former web producer and staff writer for Guitar World and Guitar Aficionado magazines (2010–2012). He has since pursued writing fiction under various pseudonyms while exploring the technical underpinnings of journalism, now serving as a senior software engineer for The Seattle Times.
“I used my P-Bass in the studio and my Jazz Bass live, because it projected a little louder”: Originally recorded as a B-side, this riff-driven blues became a Jimi Hendrix classic – and bassist Billy Cox played a pivotal role
“There was a time you wouldn’t have touched a Superstrat, at least in my world – that was very illegal. It’s cool to be able to let go of those old feelings and those silly rules”: How Chris Shiflett learned to love his inner shredder