“We were playing so loudly, you could see that we were tiring people out”: Thin Lizzy's Scott Gorham on the development that changed the amp game forever
Scott Gorham reveals that, before this amp upgrade, he and fellow Thin Lizzy guitarist Brian Robertson played so loud that amp mics couldn't take it
Thin Lizzy's Scott Gorham has revealed how, during the time they recorded the band's commercial breakthrough album Jailbreak in 1976, their amps didn't have a master volume knob. Therefore, Gorham and fellow Thin Lizzy guitarist Brian Robertson didn't even realize how loud they actually played, to the detriment of their amp mics as well as their hearing.
“They were both the Marshall 100s. They didn't have the master volume at that point. And the microphones really couldn't take the heavy volumes, vibrating through the screens and all that,” explains Gorham in an interview with Guitarist.
“Both of our playing in the studio really stepped up when Marshall came up with that master volume. So you could actually get the sustained sound that you wanted, but at a much lower level.
“There's so many times before that master volume came in that we were playing so loudly, you could see that we were actually tiring people out. You know, they wanted to get in there with it, but they've just been relentless. And you saw that from the stage, you know, but to be able to get the sustain, you had to turn it up. You know, I think that's part of my hearing problems.”
Elsewhere in the interview, Gorham recalls how Thin Lizzy's twin-guitar setup meant he could write parts that he couldn't necessarily play or were a better fit for Robertson, without having to sacrifice his overall vision for a song.
“I did do a lot of the writing,” he remarks. “I actually wrote specific lead parts, because I wanted Brian to play it right, you know, in my head, I could hear and see him playing in those bits. I was never one to say, 'No, I have to do this.' That was never my intention at all. My whole thing was to make sure that hopefully the band sounded as good as it possibly could.
"What’s the one thing I still can't do today? Is it that damn double picking thing? The Dick Dale kind of thing. I've never been able to get that together. I can't tell you why there's no rhyme or reason why I can't do it. But and he's [Robertson] got that down perfectly.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
In a 2021 interview with Guitar World, Scott Gorham revealed how he fell out of love with Marshall amps for a decade after a tech blew up all four of his Marshalls.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“Clapton’s manager says, ‘George Harrison wants you to do the tour and play all the slide parts – he doesn’t want to do it’”: When rhythm guitar hero Andy Fairweather Low was recruited by a Beatle to play slide – even though he’d never played slide before
“He turned it up, and it was uncontrollable”: Eddie Van Halen on the time Billy Corgan played through his rig – and why his setup shocked the Smashing Pumpkins frontman