Latest about Thin Lizzy
Why Thin Lizzy’s Brian Robertson knew his stint in Motörhead was doomed
The flying Scotsman replaced Fast Eddie Clarke, and had a formidable rep as Thin Lizzy guitarist, but he soon found Motörhead were not quite his speed
Big Country's golden guitar rule that steered them clear of the blues
The band drew great inspiration from Thin Lizzy’s sonic template, but they made a concerted effort to avoid being labeled as a blues band
Brian Robertson knows what Thin Lizzy lost when he left
Half of the classic-era twin guitar attack discusses how the iconic sound was built, his relationships with his bandmates after he left, his forensic approach to modding Kirk Hammett Les Pauls to look like Peter Green’s Greeny, and why he couldn’t play the real thing
Brian Robertson sets the record straight on his Thin Lizzy exit
Robertson left Thin Lizzy amid conflict with Phil Lynott and a serious hand injury – but came back as a session hand on future albums and tours
Watch Eric Bell, Richard Fortus, and a 45-piece orchestra star at Phil Lynott tribute show in Dublin
The all-star assembly gathered in Ireland to mark the 40th anniversary of Lynott’s passing
Original Thin Lizzy guitarist Eric Bell on reinventing an old Irish standard as a rock track and performing it with the “cartoon” Metallica
Original Thin Lizzy guitarist Eric Bell explains the roots and finer points of his Whiskey in the Jar guitar solo and phrasing and how he got the tone on the record
You know Greeny, now it’s time to meet Stripe – Gary Moore’s other go-to ’59 Les Paul, and a guitar of incalculable vibe
With some of the most phenomenal buckle rash you will ever see, Stripe is a holy grail to end all holy grails. As it is being sold privately via Bonham's, we get evaluator Steve Clarke to spill Stripe's secrets
Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power
With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection
