Fender American Vintage II 1973 Stratocaster review

One of the most underrated Stratocaster eras gets its time again – and this new period-correct American Vintage II example proves it’s worth another look

Fender American Vintage II 1973 Stratocaster
(Image: © Fender)

Guitar World Verdict

The American Vintage II 1973 Stratocaster oozes pure ’70s vibe with a period-correct build, vintage-style hardware and authentic single-coil tones.

Pros

  • +

    The Pure Vintage ’73 pickups occupy a lower-output realm that ushers in crisp cleans and shimmery sparkle.

  • +

    The “C”-shape maple neck is effortless to play.

  • +

    Build quality is faultless.

Cons

  • -

    Vintage enthusiasts will prefer ’50s and ’60s models.

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Of all the carefully chosen guitars Fender unveiled in its exciting brand-new American Vintage II Series, I decided to check out one of the more overlooked models: the American Vintage II 1973 Stratocaster.

Indeed, ’70s-era Strats have historically been perceived as a lesser Stratocaster (compared to pre-CBS Stratocasters) for many problematic reasons besides its most visible change – the enlarged and reshaped headstock. Sure, we all pined for the original smaller headstock Strats found in the hands of Clapton and Gilmour; however, many old-school players will recall that their first fond impressions of a Stratocaster had been the prevalent ’70s-era Strats being legitimized by local scenester guitarists and guitar idols from Blackmore to Malmsteen.

  • PRICE: $2,279
  • BODY: Ash
  • NECK: Maple or rosewood (dependent on finish)
  • FINGERBOARD: Maple
  • FRETS: 21
  • PICKUPS: 3x Pure Vintage '73 Single-Coil Strat
  • CONTROLS: Five-way blade switch, volume, neck/middle tone, bridge tone
  • HARDWARE: American Vintage Synchronized Tremolo with “Ash Tray” Bridge Cover, Pure Vintage Fender tuners
  • LEFT-HANDED: No
  • FINISH: Mocha (reviewed), Lake Placid Blue, Aged Natural
  • CONTACT: Fender

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Paul Riario

Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.