Latest about Fender Jazzmaster
He’s one of shred guitar’s most original players – now Jakub Żytecki has released 2024’s high-performance offset to beat with Mayones
The ambient shredder’s take on the Jazzmaster format brings a remarkable preamp, USB charging and several Mayones firsts to the classic silhouette
Best guitar cases and gig bags 2025: from cost-effective protection, to indestructible travel companions
Our road-tested hard case and gig bag offerings for acoustic and electric guitar
Fender has overhauled its most popular range in response to requests from guitarists – meet the Player II Series
The Player range is Fender's best-selling collection of all time. Now, it's been refreshed with previously unreleased finishes from the archives and some highly sought-after updates
Squier debuts a new Tele/Jazzmaster hybrid – and revives Fender's Les Paul-inspired 'Troublemaker'
Fender once again throws the rule book out the window for two new limited edition Paranormal models – and the results are quite something
Lime Garden’s Leila Deeley is refreshing indie-pop with a heavy-strung Jaguar and $30 fuzz pedal
Lime Garden's pop sound is lush and heady but at the heart of it lies a secret shredder who got a taste for the instrument listening to Black Sabbath and the Doors. We'll let Deeley explain it...
“There’s no questioning the rock-solid protection it affords your guitar, or the efforts Fender has gone to to create a nicely priced case that offers a premium feel”: Fender F1225 Electric Guitar Gig Bag review
Fender’s nicely priced, top-of-the-line gig bag combines the best features of hard and soft cases
Fender Japan continues its adventures in flamed-top guitars with new Hybrid Series II finishes
The firm continues to push the aesthetic boundaries of some of its most iconic guitar templates with Twilight and Sunset Orange Metallic colorways
Loathe’s Erik Bickerstaffe loves budget gear, real amps and thick strings that don’t bite back
While finishing up the djent-shoegaze heavyweights’ new album, Bickerstaffe reflects on kickstarting a craze for baritones, why he’s burned out on P-90s, and what makes amp modelers feel like a step backward
