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Holiday 2017

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The Secrets Behind Andy Summers' Guitar Sound on The Police's "Walking on the Moon"

By Chris Gill

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The Secrets Behind James Hetfield's Guitar Sound on Metallica's "Sad But True"

By Chris Gill

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New and Cool: Bare Knuckle Pickups' The Ragnarok

By Guitar World Staff

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Tetrarch Embrace Their Freakishness on Their Full-Length Debut, 'Freak'

By Gregory Adams

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New and Cool: Fender EOB Sustainer Stratocaster

By Paul Riario

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Shop Talk: Willcut Guitars in Lexington, Kentucky

By Eric Feldman

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Review: MXR Booster Mini

By Paul Riario

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Another Useful, Lower Repurposing of the Sus4b9 Arpeggio, Plus an Exotic Wide-Interval Variation

By Jimmy Brown

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Glenn Proudfoot Summons the Riff Gods on His New Album, 'Fire & Rain'

By Greg Renoff

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Review: Boss JB-2 Angry Driver Pedal

By Paul Riario

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Review: EarthQuaker Devices Data Corrupter

By Chris Gill

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August Burns Red's JB Brubaker and Brent Rambler Talk New Album, 'Phantom Anthem'

By Jon Weiderhorn

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Utilizing Open-String Drones for Single-Note Licks, Melodies and Solos

By Andy Aledort

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More on Exploring Country-Style “Chicken Pickin’ ” Techniques in Metal

By Mike Orlando

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Tom Petty: Tribute to an American Icon Who Made the Rock World a Better Place for 40 Years

By Alan di Perna

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Review: Jackson Guitars Pro Series Dinky DK2

By Chris Gill

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Twenty-Five Years Later, Stone Temple Pilots Guitarist Dean DeLeo Looks Back on 'Core'

By Richard Bienstock

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Review: Fender Mustang GT 40 and GT 200 Amps

By Chris Gill

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Mark Tremonti Takes You Backstage for Alter Bridge's Triumphant O2 Arena Show

By Richard Bienstock

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Billy Corgan Breaks Out the Acoustics for His New Album, 'Ogilala'

By Joe Bosso