Latest about Jimmy Page
What's the secret behind the tone of Jimmy Page's legendary “Number One” Les Paul? Bare Knuckle founder Tim Mills had the chance to examine it and found out
Mills had the opportunity to analyze the highly-coveted guitar after Page sent the guitar to his workshop just before the 2007 Led Zeppelin reunion
Jimmy Page settles decades-long Dazed and Confused lawsuit with original songwriter, Jake Holmes
The Yardbirds, and later Led Zeppelin, reworked Jake Holmes’ 1968 song for their own ends, and Holmes believes he wasn’t properly credited
50 years ago, Jimmy Page gave a guitar away for free in a magazine competition – now it's expected to fetch over $67,000 at auction
The 1957 Gretsch Chet Atkins 6120 was originally bought by Page in Nashville, back in 1972
Hands-on with the ultimate Led Zeppelin amps – Sundragon’s painstakingly accurate replicas of the guitar hero’s elusive backline
It’s not guaranteed that they’ll make you sound like Jimmy Page, but Sundragon’s fastidiously accurate replicas of two of his favorite amps may well get you close
Jimmy Rip remembers recording Jimmy Page, B.B. King, Buddy Guy and more for one of the greatest all-star albums of all time
The project saw the producer and guitarist travel the world and record legendary players in unusual locations
John Paul Jones explains one of the key ingredients of some of Led Zeppelin's greatest riffs
They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence
Jimmy Page announces the Sundragon Nymph – packing Page's stadium-filling tones into a small footprint, low-wattage combo
The brand new amp can switch from 1-watt to ¼-watt and incorporates a direct post-speaker line output – a first for Sundragon
Led Zeppelin's John Paul Jones explains what people get wrong about his Black Dog riff
In his inaugural Guitar World lesson column, authored in 1996, the legendary bassist also revealed why he used pick to lay the song down in the studio – and why he later would use an eight-string bass to play it live
