Latest about Mammoth WVH
Bassist Ronnie Ficarro on taking Wolfgang Van Halen’s studio sound to the stage
Ronnie Ficarro explains the nuances of pick playing, why tone can make or break a band, and how he stumbled upon slap bass for Mammoth’s latest single
Wolfgang Van Halen honors Ozzy Osbourne with emotional cover of Mama, I’m Coming Home
Wolfgang and his Mammoth bandmates heard of Ozzy’s passing during soundcheck – and knew that “just mentioning it wasn’t enough”
Wolfgang Van Halen on why not every song needs a guitar solo
Shredding does feature on Mammoth’s third album, The End, but guitar solos aren’t always a given
Wolfgang Van Halen has dropped his initials from the Mammoth band name
The band trimmed Mammoth WVH to Mammoth earlier this year – and for the multi-instrumentalist, it’s a change he’s been desperate to make
Wolfgang Van Halen used Eddie’s legendary Frankenstein to track the two-hand tapping sequence in his new single
Wolfgang Van Halen has shared a clip of him using his father's iconic electric to record his latest song – which channels his love for contemporary greats while keeping Eddie’s guitar flame burning brightly
Wolfgang Van Halen goes big on the tapping in new single – and drops music video loaded with an Eddie Van Halen Easter egg
Mammoth – now without the WVH tag – returns with a statement video that features rock royalty, Hollywood-level special effects, and one hell of a song
Wolfgang Van Halen explains how Eddie’s game-changing talents “kind of ruined” the ’80s guitar scene
The Mammoth WVH frontman reflects on the guitar playing trap that emerged as a result of his father's groundbreaking style – and names one player who managed to avoid it
Wolfgang Van Halen reveals the collaborations at the top of his bucket list
WVH on why being a multi-instrumentalist doesn’t stop him from collaborating with other artists
“The SA-126 is way beyond a typical semi-hollow. There’s nothing else like that guitar. It’s like a hot rod, but with a souped-up modern engine”: Wolfgang Van Halen on building the supersized sound of Mammoth II (with some help from Eddie’s Frankenstein)
Armed with his new EVH semi-hollow signature model, plus the most hallowed pieces in his father's collection, Wolfgang Van Halen explains how he went all in for his epic sophomore album
