Martin
Latest about Martin

When Chris Buck played a museum-grade Martin from 1928, a high-profile Hollywood guitar scandal played heavy on his mind
By Matt Owen published
The blues rock ace demoed a five-figure Martin 0-42 in the new issue of Guitarist, and couldn't help but think of that infamous Hateful Eight guitar smash

Opeth's Mikael Åkerfeldt on playing Kurt Cobain's “haunted” Martin D-18
By Jackson Maxwell published
Åkerfeldt was decidedly more moved when handed a 19th century Martin, a guitar so pristine he was scared to play it

“You’re playing that fast that you need to have a satin neck? Wear it down yourself!” Why Johnny Marr isn’t convinced by the satin neck trend
By Matt Owen published
The Smiths icon and vintage gear lover has some choice words for guitarists who prefer satin finish treatments – and anyone who artificially ages their gloss necks

Martin joins forces with Billy Strings on two signature models inspired by his 1940 D-28
By Janelle Borg published
The bluegrass-coded models comprise the higher-end D-28 Billy Strings, and the more affordable D-X2E, both of which promise to deliver Strings' “distinctive sound, style, and electrifying energy”

Martin dazzles with its 3 millionth masterpiece – and a double-neck debut that has been 100 years in the making
By Matt Parker published
The double neck acoustic-electric Grand J-28E DN might grab the headlines, but there’s plenty to catch your eye in the firm’s special edition announcements

Martin overhauls its Standard Series for the first time in 7 years in response to player demands
By Matt Owen published
Martin’s workhorse acoustics just got their first refresh since 2018 – and there are three new models to usher in the new era

Monica Barbaro played Joan Baez alongside Timothée Chalamet’s Bob Dylan – and Edward Norton encouraged her to take the 1929 Martin she used onscreen
By Matt Owen published
Barbaro had used a vintage Martin 00-45 during her performance as the folk legend

Why today’s guitars are performing better than ever – not that you’d notice from looking at them
By Jamie Dickson published
From Furch’s innovative bolt-on neck joints to Bare Knuckle’s revelatory pickups, we could be living through a new golden age for guitar innovation
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