Tigers Jaw’s Ben Walsh: “This band has always had a really great sense of community around it” By Ellie Robinson published 2 May 21 The new and improved Tigers Jaw go especially big and bold on album #6
Spotlight: Marie Ulven Ringheim, a.k.a. Girl In Red By Ellie Robinson published 29 April 21 The new album, If I Could Make It Go Quiet, is out now via AWAL
Tomahawk’s Duane Denison: “There’s a political statement to be made in the whole concept of a band” By Ellie Robinson published 27 April 21 Even in an age where truly anything is possible, it’s pretty goddamn exciting to see Tomahawk back in action
Manchester Orchestra’s Andy Hull: “It was like we had only finished the edges of a 2,000-piece puzzle, and then we had to figure out the insides” By Ellie Robinson published 26 April 21 On The Million Masks Of God, Manchester Orchestra amp up the intensity tenfold with their sharpest, boldest and most opulent epic yet
Adrian Smith & Richie Kotzen: “The style of the record came from our instincts and how we play together” By Ellie Robinson published 25 April 21 What do you get when you put two of hard-rock’s biggest shredders in a room and tell them to get their blues on?
Middle Kids’ Hannah Joy: “This album is a bit more reflective – there’s a bit more space and it’s a bit more dynamic” By Ellie Robinson published 22 April 21 On their ambitious second album, the band take an axe to their formula and build a mansion from the rubble
Live Review: Yours & Owls Festival 2021 By Ellie Robinson published 21 April 21 "Yeah, we’ll never take another music festival for granted. This is what home feels like..."
The Rubens’ Izaac Margin: “I’ve kind of gotten over the guitar sounding just like a guitar” By Ellie Robinson published 20 April 21 0202 is an ambitious epic for the Sydney pop-rockers, but to pull it off, they had to scale things way back
Carla Geneve: “It’s really honest and transparent songwriting about what I was going through” By Ellie Robinson published 18 April 21 Carla Geneve walks us through the poignantly honest origins of her show-stopping debut album
Death From Above 1979 - Is 4 Lovers album review By Ellie Robinson published 15 April 21 "LP4 [is] a love letter to the Canadian dance-punk deviants’ halcyon days"
Greta Van Fleet’s Jake Kiszka: “We wanted to create something orgasmic and cinematic” By Ellie Robinson published 13 April 21 On LP2, the Kiszka brothers' love of film collides with their talents in rock 'n' roll
The Antlers - Green To Gold album review By Ellie Robinson published 11 April 21 "There’s no two ways about it: The Antlers’ comeback effort is simply delightful"
Cheap Trick’s Rick Nielsen: “We’ve loved Australia since the first time we went there in 1978” By Ellie Robinson published 8 April 21 Neilsen chats LP #20 and Cheap Trick's upcoming Australian tour, and bleeds a whole bunch
Erra - Self-Titled album review By Ellie Robinson published 6 April 21 "A rich, concentrated distillation of everything the fivesome excel at"
Producer Profile: Shane Edwards By Ellie Robinson published 4 April 21 Unlocking the secrets of Aussie hardcore's very own Willy Wonka
Foo Fighters’ Chris Shiflett: “In 25 years, we’ll all be on stools, playing ukuleles and doing ballads – but we might still be going!” By Ellie Robinson published 1 April 21 Gear, grooves, and... Ghosts!?
Citizen - Life In Your Glass World album review By Ellie Robinson published 30 March 21 "Huge, headbang‑inducing riffs and a rhythm section that’s always nothing short of riveting"
Spotlight: Jack Gray By Ellie Robinson published 28 March 21 The new single, "Selfish", is out now via Warner
Hayley Williams - FLOWERS for VASES / descansos album review By Ellie Robinson published 25 March 21 "Williams fully embraces her Nashville origins and absolutely nails every folky bend and atmospheric warble"
Evanescence’s Jen Majura and Troy McLawhorn: “I think it’s a very beautiful, very meaningful, very REAL album” By Ellie Robinson published 23 March 21 To make their boldest album yet, Evanescence tapped into a world of internal ire
