Rick Beato
Latest about Rick Beato

Bass phenom Kinga Głyk recalls the moment her rendition of an Eric Clapton classic went viral – and made her career
By Janelle Borg published
Głyk also touches on how social media can be used as a democratizing tool for musicians to access the industry

Sting guitarist Dominic Miller on why the Beatles' harmonies are “indestructible”
By Janelle Borg published
Miller has recently released a songbook that sees some of the most beloved Beatles tunes come to life with solo guitar arrangements

Brad Whitford and Joe Perry on the time Aerosmith were upstaged by their support act
By Phil Weller published
The guitarist – who came before an Aerosmith festival headline slot – returned to the stage for three separate encores and proved to be a tough act to follow

How Line 6 and Kemper’s early releases inadvertently inspired the creation of their biggest rival
By Janelle Borg published
Neural DSP CEO Doug Castro looks back on the company’s beginnings

Nuno Bettencourt on why, with his Six String Sanctuary, he’s finally ready to become a guitar teacher
By Amit Sharma published
Sponsored by Nuno’s Six String Sanctuary
The Extreme man’s Six String Sanctuary weekender goes way beyond your typical guitar clinic – and he’s recruited Steve Vai, Eric Gales, Mateus Asato, Richie Kotzen, Taj Farrant and guitar “Yoda” Rick Beato to help

How Flea landed his cherished 1961 Fender Jazz Bass after finding a seller during the early days of Twitter
By Janelle Borg published
During the early days of his career, the Red Hot Chili Peppers bassist was far from a gearhead – but an old Fender changed his tune

Ola Englund on why he decided to set up his own guitar company
By Phil Weller published
The demand for his signature gear was there, but the industry framework was letting Englund and his fans down

Legendary Abbey Road record producer, Ken Scott, explains how Eric Clapton ended up playing an uncredited solo on a Beatles classic
By Janelle Borg published
Scott also reveals the recording technique the team used to make sure Clapton's solo sounded Beatles-esque
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