the most accessible person in the world and he doesn’t do interviews or talk in public, so I had to jump through a few hoops to get him to call me back. So he called me back and thanked me for giving him the opportunity to be part of the game, and we worked on “Jordan” together over the phone. I told him what we wanted: something between three and four minutes, nothing over 64th notes because the game can’t figure out the difference, and start off with a great intro and then go into “Buckhethead land” for two or three minutes and come back around—and whatever you send us will be perfect. And when he was done he left me a voicemail that said, “I think this is one of the best things I’ve ever recorded in my entire life.” And when I heard it I got chills up my spine—it was just incredible. He called it “Jordan” as an homage to Michael Jordan—he’s a huge basketball fan, which makes sense since he’s like 6’7.”

GW What was it like recording the Black Sabbath songs “Iron Man” and “War Pigs”?

HENDERSON It was awesome—Tony Iommi is the high priest of all metal and my absolute favorite guitar player of all time. Playing like him is unlike anything out there because there’s a certain feel to his playing that you just can’t recreate. He is a master at doing the twin-lead dogfighting thing where you don’t know which one is in control or which one is in tune but they’re both fighting for position. And when you look at the lineage of guitar players who doubled and tripled their solos, it pretty much starts with Tony.

MARCUS' GEAR LIST!

GUITARS

FENDER AMERICAN STANDARD STRAT W/ SEYMOUR DUNCAN JB HUMBUCKER, GRAPH-TECH HARDWARE

TOM ANDERSON DROP-TOP CLASSIC - STOCK

FENDER BIG APPLE STRAT HEAVILY MODIFIED W/ CUSTOM EMG 85/85 PICKGUARD ASSEMBLY, GRAPH-TECH HW, SPERZEL'S

YAMAHA TY TABOR SIGNATURE MODEL STOCK WITH SEYMOUR DUNCAN JB HUMBUCKER; HOT RAILS SINGLE COILS, SPERZEL'S

WASHBURN DIMEBAG DARRELL SIGNATURE MODEL STOCK W/DIMEBUCKER

GIBSON FLYING V - STOCK

GIBSON LES PAUL CLASSIC WITH BILL LAWRENCE L-500XL HUMBUCKERS, SPERZEL'S

DEAN DIMEBAG DARREL SIGNATURE MODEL - STOCK

GIBSON EXPLORER - STOCK

ESP PARAMOUNT HOLLOWBODY - STOCK

IBANEZ RG440 WITH DIMARZIO EVOLUTION PICKUPS, FLOYD

ERNIE BALL MUSIC MAN LUKE - STOCK

AMPS

1994 VHT PITBULL CLASSIC HEAD

VHT DELIVERANCE 120 HEAD

MESA/BOOGIE MARK IV LONG HEAD

RIVERA KNUCKLE HEAD TRE' HEAD

KRANK REV. ONE HEAD

CARVIN LEGACY HEAD

MESA STILETTO 2X12 COMBO

FRAMUS COBRA HEAD

RANDALL V2 HEAD

MARSHALL JCM 900 HEAD

CABINETS

MARSHALL 1960A 4X12 CABINETS W/ G12T-75 CELESTIONS (2)

VHT DELIVERANCE 4X12 CABINET W/CUSTOM EMINENCE SPEAKERS

PEDALS

VHT VALVULATOR POWER SUPPLY * POWERS EVERYTHING; ALWAYS ON

BOSS HEAVY METAL PEDAL WITH KEELEY MOD

BOSS DS-1 DISTORTION

BOSS FZ-2 HYPER FUZZ

KRANK DISTORTUS MAXIMUS

TOADWORKS JOHN BULL BRITISH OVERDRIVE

MXR WYLDE OVERDRIVE

BOSS RV-5 DIGITAL REVERB

DIGITECH WHAMMY III RE-ISSUE

MORLEY PRO SERIES VOLUME

MORLEY BAD HORSIE 2 WAH

MORLEY TREMONTI WAH

CRYBABY WAH WITH FASEL INDUCTOR

BOSS DD-20 GIGA-DELAY

MAXON OD808 OVERDRIVE

ISP DECIMATOR NOISE REDUCTION

DIGITECH BLACK 13

BOSS TUNERS

MISC

MORLEY A/B

MORLEY TRIPLER

THD HOT PLATE (8 OHM)

EBOW PLUS

BBE 482I SONIC MAXIMIZER

STRINGS

DEAN MARKLEY BLUE STEEL VARIOUS GAUGES

ERNIE BALL SLINKY VARIOUS

PICKS AND TRICKS

DUNLOP JAZZ III BLACK

ERNIE BALL MEDIUM

FENDER MEDIUM

DUNLOP NYLON .73

DUNLOP NYLON .88

TORTEX .88 SHARP

TORTEX 1.14 SHARP

STONE PICK * USED ON THE SOLO FOR BUTTHOLE SURFERS TUNE FOR MAX ATTACK

1971 AND BICENTENNIAL QUARTERS

DUNLOP SLIDES

BLACK BANDANNA * USED TO OCCASIONALLY MUTE STRINGS FOR TAPPED PASSAGES

EDITING TAPE TO SLOT NUT OR TAPE STRINGS

BLACK WOOL BLANKET * USED AS BAFFLE OVER CAB

THIRD HAND FROM ENGINEER ON NECK * ???

USELESS INFORMATION

FAVORITE PLAYERS ARE: PIGGY, RANDY RHOADS, DR. KNOW, TY TABOR, STEPHEN EGERTON, PAUL GILBERT

COUSIN OF STEVE VON TILL OF NEUROSIS

PREVIOUS JOB(S) INCLUDED PRINTING MEGADETH CYBER-ARMY FAN CLUB CARDS

CURRENTLY WORKING ON PROJECT WITH STEVE SMYTH OF TESTAMENT; NEVERMORE AND BUCKETHEAD/BOOTSY COLLABORATION THIS YEAR