The powerful and bluesy "I've Got A Feeling," which John Lennon jokingly called "I've Got A Fever," is a true Lennon/McCartney composition. It blends — via alternation and superimposition — two incomplete songs, one by Paul McCartney, one by Lennon.
There was no mania quite as manic as Beatlemania, and it was at its undisputed height in 1964. In February, The Beatles had conquered the United States, the birthplace of their rock and roll idols, appearing twice on the Ed Sullivan Show and performing pandemonium-inducing shows at the Washington Coliseum and Carnegie Hall.
Christmas time is here again! So sang the Beatles on their 1967 Christmas record, one of several now-collectable flexi-discs issued annually to members of the band's official fan clubs in the UK and the US. The records, which often were mini-masterpieces in their own right (1966 and 1967 in particular), featured spoken and musical messages from all four members of the band.
Outside of Saturday Night Live, no other current TV show can boast as many impressive musical guests as The Simpsons. And The Simpsons has the edge because its many musical appearances are actually meant to be funny. Scores of rock icons—including three Beatles, two Rolling Stones, Red Hot Chili Peppers and Metallica—have appeared on the show as eight-fingered, yellow-tinted versions of themselves.
From a guitarist's perspective, the 1970 Woodstock film, which documents the highs and lows of the August 1969 Woodstock Festival, has several highlights. There's Jimi Hendrix's immortal take on "The Star-Spangled Banner"; a lengthy, mind-blowing performance by newcomers Santana; and Pete Townshend's high-flying Gibson SG acrobatics with The Who, to name just a few.
If you ask some people in these parts, 2014 wasn't a great year for music. I disagree. I think it kicks 2013's ass. Mind you, my tastes have veered way over into the roots-rock, rockabilly, non-horrible-country arena. Luckily, Sturgill Simpson, Whitey Morgan and Reverend Horton Heat provided me with plenty to listen to.
Just as an overworked Lennon and McCartney came up with an overnight masterpiece in 1964 with "A Hard Day's Night" amid a stressful filming and recording schedule, the Beatles responded to time constraints in 1965 with another monumental step forward called Rubber Soul.
Robert Johnson and J.J. Cale represent the yin and yang of Eric Clapton’s musical influences. On one side is Johnson, the famously troubled Thirties-era Mississippi bluesman who moaned about hellhounds on his trail, spooks around his bed and those lowdown, shakin’ chills. On the other side is Cale, the famously laidback singer-songwriter from Tulsa who penned laconic odes to singin’ whippoorwills, “chugalugging” and shakin’ tambourines.
Even though this video has been viewed almost 6 million times—it still strikes me as something of a rare bird (probably because I've—somehow—never seen it before!). The clip, which apparently was shot in January 1986, shows SRV and Double Trouble running through three songs—"Scuttle Buttin'," "Ain't Gone 'n' Give Up On Love" and "Say What!"