The Beatles' 19th single in Britain — "Get Back," backed with "Don't Let Me Down" — was released April 11, 1969, so the song was already well known when the Let It Be album was released more than a year later. However, the single version (available on Past Masters) was recorded January 28, 1969 (as was "Don't Let Me Down"), while the album version was recorded the previous day — and it shows.
Paul McCartney has released a new single — with an old feel. The catchy new song, which happens to be called "New," is the Mark Ronson-produced title track from his upcoming studio album. The album, the followup to 2012's Kisses on the Bottom, will be released October 15 in the US (October 14 in the UK).
Stevie Ray Vaughan died 23 years ago today on August 27, 1990. Basically, everything changed for the very young version of me the first time I saw him play live. It was March 1984 at Kean College in Union, New Jersey. After that night, I tore up, stomped on and burned the book on what I thought being a blues guitarist was all about — and started all over again.
As the photo gallery below will clearly illustrate, Framus — the Germany-based manufacturer of guitars, basses, banjos, amps and more — has made some very distinctive and cool-looking instruments over the years.
A mid-2013 Monkees concert is a powerful reminder of why these guys were such big stars in the mid-'60s. The band's three surviving members — Michael Nesmith, Micky Dolenz and Peter Tork — dole out the hits like a vintage jukebox at a family-style restaurant. But a modern Monkees show serves up a good deal more, including a pinch of the banter that made the Monkees everyone's favorite wise-cracking, prefab pop band — and, perhaps best of all — a generous serving of Nesmith's music.
Although the video below was posted back in April, and the song itself was officially released June 4, we never really got around to sharing or discussing Jeff Beck's recent appearance on the new LeAnn Rimes album. But it's time to change all that!
Despite the all love, some players complain that the Jaguar doesn’t have the sustain of a Strat, and — from personal experience — it often has this weird string-buzz thing going on. Which is one of the reasons I sold my Jaguar for beer money in 2007 (I did eventually crawl back into this corner of the universe when I bought a Jazzmaster in 2011).
Let's face it, bringing a 100-watt guitar amp to your average weekend bar gig is a lot like taking a Lamborghini to Shop Rite for Sunday-afternoon grocery shopping. You simply don't need all that power.
Filming A Hard Day's Night was often a brutal, seven-days-a-week affair that took a lot out of the band and crew. So one can imagine how Walter Shenson, the film's producer, felt when he pulled John Lennon aside during filming and said, "I'm afraid we're going to need a song called 'A Hard Day's Night,' something up-tempo that can be played over the main titles."
Earlier this month, for one night only, I went from being one of four guitarists in a Monkees tribute band to being the only guitarist in a band supporting two actual Monkees — Peter Tork and Micky Dolenz. To make things even weirder, I used a Les Paul that once belonged to Tim Sult of Clutch, just so I could say that guitar went from Clutch to the Monkees in just over a year.