Latest Features
The boutique pedal explosion and what comes next in this golden age of guitar effects
Jamie Stillman of EarthQuaker Devices gives GW a pulse check on the trends affecting what we see on our pedalboards
What Brandi Disterheft learned from her studies with bass legend Ron Carter
The New York jazzer lifts the lid on her early lessons with the world’s most recorded bassist
Unorthodox, powered by EMGs, Gary Moore's 1982 Charvel San Dimas was the battle-ready hot-rod he needed in the ’80s
Hasty mods made to this Charvel made it a choice workhorse for Gary in the early ’80s – and it fetched over $40,000 when auctioned at Bonham's
Why Jared James Nichols stopped obsessing over gear – and honed in on his playing instead
Freedom, says Nichols, is the knowledge you can pick up anyone's guitar and sound like you, and now the Nashville-based Les Paul wrangler is finding that freedom in songwriting
“It’s got the vibe of a madman”: Ace Frehley’s 6 greatest Kiss guitar moments
You wanted a list and you got a list but, oh boy, was it hard to whittle it down to six
Kiki Wong reveals her Smashing Pumpkins live rig, gear regrets and how a Line 6 amp made her the player she is today
Kiki Wong might be the only guitar player alive today who can recall from memory Ibanez S series model numbers. Here's what the S40DXQM means to her...
Bootsy Collins was tripping on LSD when he took the James Brown bass chair to its most in-your-face level
Unable to deal with Brown’s disciplinary code, Bootsy was gone within a year
“I put it on a stand at a guitar show, with no strategy. And it changed everything”: How relic’ing conquered the guitar world
The not-so-gentle art of relic’ing has enjoyed a renaissance since its maligned roots in the mid-’90s. We asked scene godfather and Gibson Custom Shop guru Tom Murphy how the tide turned
Nuno Bettencourt on turning down Ozzy, Sabbath’s final show and how Extreme finally got their dues
Having torn up the rulebook and raised the bar once again for lead guitar, Nuno Bettencourt promises no let up – he’s out for blood again
“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad
