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Billy Corgan asked Jenna Fournier to go back to bass, and she says the timing is perfect
By Andrew Daly published
The guitarist-vocalist’s band Niights, solo project Kid Tigrrr, and visual arts projects are one thing, but hitting the stage as part of Corgan’s Machines of God band as a four-stringer is another

Doug Aldrich on how he found a “killer” Les Paul – that was owned by the man who co-wrote Eric Clapton’s Tears in Heaven
By Andrew Daly published
Gear regrets? Aldrich has had a few – the ’73 Goldtop, the Tele – but he's also had some victories, like when he chanced upon a ’78 Les Paul Custom previously owned by Clapton collaborator Will Jennings

With plentiful, far cheaper clones, why does the Klon Centaur remain a holy grail pedal?
By Amit Sharma published
Klons have been used by Jeff Beck, John Mayer, Joe Perry, Ed O'Brien, and countless other guitar heroes, and are often spoken about as a sort of overdrive sword of Excalibur. But what exactly sets them apart? And how did they become so darn valuable?

Jason Sinay on jamming with Joe Bonamassa – and why his early sessions with Mike Campbell were a struggle
By Andrew Daly published
The session veteran recalls jamming with Neil Young, Keith Richards and Bob Weir – and why he thought he’d initially blown the gig with the Heartbreaker’s solo band

Is Toby Lee Britain’s next blues-rock superstar?
By David Mead published
The Firebird-toting Blackstar endorsee's name has been mentioned ever since he recorded a track for B.B. King, aged 10. Here, he explains why he was always playing for keeps

Steven Wilson on his cosmic prog epic, expanding guitar's 21st century vocabulary, and lo-fi plugins
By David Mead published
Wilson's new album is unlike anything he’s done before, a very proggy space odyssey that takes the listener on a journey to the outer reaches of the universe…

From Veruca Salt to Smashing Pumpkins and now Garbage, Nicole Fiorentino thrives on challenge
By Andrew Daly published
Traditionally a tube amp user, the Reverend Decision fan is hitting the Helix-powered stage with Shirley Manson and co., with in-ear monitors and no pedals – and delivering her own bass take on the band's classics

Wednesday 13 on getting his guitar confidence back, and the Murderdolls future that never happened
By Amit Sharma published
He always worried people would think he was fake, and began to suspect he couldn’t play. But as he reflects on his new album, Mid Death Crisis, Wednesday 13 is feeling good about returning to where he started

Billy Corgan on critics, tone secrets, and how he keeps Smashing Pumpkins fresh
By Andrew Daly published
Aghori Mhori Mei sees Corgan and co. finding a fresh perspective in revisiting gear and writing approaches from the past, and – “for a change!” says Corgan – fans and media alike are loving it
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