Features
Latest Features

Pasquale Grasso says “no” to the cut-and-paste approach to records as he takes jazz to a younger audience
By Joe Bosso published
The hyper-talented jazz virtuoso on how he’s out to prove there’s life in the genre

Steve Vai on his love of the Positive Grid Spark Mini Vai
By Andrew Daly published
Many would argue it is the ultimate practice amp. Vai would be one of them – indeed he loved it so much he put his name on it

How Motown hit-maker James Jamerson funked up a Christmas classic on this holiday gem from 1968
By Chris Jisi published
The Temptations' funky cover of Rudolph The Red-Nosed Reindeer captured Jamerson at his peak powers, before personal problems began to take their toll

“It’s like a sports car that can hug a turn at 100 mph”: John Mayer and Paul Reed Smith on the making of the Silver Sky
By Andrew Daly published
John Mayer talks GW through his acclaimed PRS Silver Sky, while its maker – Paul Reed Smith – reveals the science that went into the guitar’s development

Greg Lake started out as a guitarist – before being convinced by Robert Fripp to switch to bass when joining King Crimson
By Freddy Villano published
Lake went on to form Emerson, Lake & Palmer – ELP – with keyboardist Keith Emerson and drummer Carl Palmer, creating one of rock’s first super-groups

The making of Jim Root’s Telecaster, the guitar that brought Fender into the modern age
By Andrew Daly published
Some metal players prefer the traditional high-performance brands. Others favor medieval shapes. Not Root. The Slipknot guitarist wanted something old-school, classy… indestructible

Wolfgang Van Halen on Allan Holdsworth, unintentional Van Halen-isms, and his go-to guitar-test riffs
By Amit Sharma published
As the son of one of the world’s most influential rock guitar players, it’s understandably taken Wolfgang Van Halen some time to feel comfortable in his own skin. Mammoth’s third full-length, The End, is undoubtedly the sound of his confidence growing stronger and stronger

Bruce Kulick remembers Ace Frehley, and the Frehley-era Kiss song that caused him the most trouble
By Andrew Daly published
The underrated guitar great recalls his 12 years trying to emulate the Spaceman while bringing something fresh to the band, all the time wondering how Frehley’s playing connected with so many guitarists around the world

Danielle Haim on her guitarist-for-hire days with Julian Casablancas, I Quit energy and Haim’s historic Grammy nomination
By Janelle Borg published
From their first gig at a Jewish deli to selling out arenas, Haim have been on quite a journey since their 2013 debut album – and made history as the first all-female band ever to be nominated in the Grammys’ Best Rock Album category
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