“She was a complete stranger. She was a bit intimidated at first because she’d heard of the band, but she wasn’t a Rush fan”: Alex Lifeson and Geddy Lee on Anika Nilles’ rollercoaster audition for Rush's Fifty Something tour

Anika Nilles of Rush performs onstage during the 2026 JUNO Awards at TD Coliseum on March 29, 2026 in Hamilton, Ontario.
(Image credit: Getty Images)

No matter the drummer, whoever was to step onto Neil Peart’s lofty drum riser in a reprised Rush was always going to have a massive task on their hands.

Jeff Beck-approved Fusion drummer Anika Nilles’ first shows with the prog giants have been met with widespread acclaim, but getting Rush back on stage wasn’t exactly smooth sailing – nor was Nilles’ rollercoaster 'audition'.

Her first sessions with the band, Rush bassist Geddy Lee says, were “casual.” But for two musicians who spent the best part of half a century playing with one of the world’s best drummers, there was a difficult musical and personal adjustment period to weather.

Latest Videos From

As Lee remembers in the new issue of Guitar World. “We said to her, ‘We’re not auditioning drummers, but your playing really interests us. So just come and let’s see what happens.’”

Lee says he and bandmate Alex Lifeson had no expectations during the first four of their initial five days together. Lee wanted “to work through all these songs and see her reactions and her gut feel.”

“We didn’t know her. She was a complete stranger,” he develops. “She was a bit intimidated at first because she’d heard of the band, but she wasn’t a Rush fan.”

Geddy Lee of Rush perform during the opening night of their first American tour in 11 years at The Kia Forum on June 07, 2026 in Inglewood, California.

(Image credit: Getty Images)

By the time the sessions neared an end, both Lifeson and Lee realized they harbored reservations about going forward with a reunion.

“There’s no drummer on the planet that doesn’t know who Neil Peart is and doesn’t revere that name,” Lee acknowledges. “It was a tall order for her, but we were so busy working through these songs that we hadn’t chatted.”

So, before their last session, Lee called Lifeson over to his house.

“He came over, and I said, ‘What do you think?’ And he said, ‘I don’t know. What do you think?” Lee remembers. “I said, ‘I don’t know. What the fuck are we doing?’

“There was a sliver of doubt,” he admits. “Her technique was incredible. She nailed the fills, [but] there’s a lot more to playing a Rush song than the fills. It’s the feel. It’s the nuances. Our music is idiosyncratic, and that takes time.

Rush is back! - Xanadu (First song with Anika Nilles!) Live at the Forum in LA 2026 - YouTube Rush is back! - Xanadu (First song with Anika Nilles!) Live at the Forum in LA 2026 - YouTube
Watch On

“We’ve played Rush songs with maybe five or six different drummers over the last few years. Every time you sit and play a Rush song with a drummer, I don’t care who they are, there’s an adjustment.

“But we just weren’t sure because this was all new to us. So we went to that last day with an open mind. And song after song, she killed it. She understood all those little things that Alex and I had been telling her all week, processed them, and delivered.

“That’s when we looked at each other in the studio and went, ‘Yep, we have a real problem, because now we have a drummer and we’re going to make a commitment.’”

“There was something that was just not quite there,” echoes Lifeson. “It wasn’t really until the last day that suddenly she sort of blossomed and understood better what we were kind of looking for or going after.”

The band are so committed to Nilles that they aren’t discounting writing music together, and the praise for Nilles has been flooding in since the tour began.

For Rush, replacing Peart was difficult for a number of reasons, but despite a long line of drummers vying for the gig, Nilles was their only choice.

Rush’s full chat can be found in the latest issue of Guitar World. Head to Magazines Direct to pick up a copy.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

With contributions from

You must confirm your public display name before commenting

Please logout and then login again, you will then be prompted to enter your display name.