“I took lessons from Joe Satriani. I felt like he was trying to build an army of shredders with finger exercises. He hated me because I didn’t practice his stuff enough”: Xan McCurdy of iconic alt-rockers Cake on why he quit taking lessons from Satch

Xan McCurdy of Cake performs onstage during day 5 at Summerfest 2025 at Henry Maier Festival Park on June 27, 2025 in Milwaukee, Wisconsin AND Joe Satriani performs onstage during the 2025 iHeartRadio Music Festival at T-Mobile Arena on September 19, 2025 in Las Vegas, Nevada
(Image credit: Joshua Applegate via Getty / Kevin Winter/Getty Images for iHeartRadio)

For most players, electric guitar lessons from Joe Satriani – and getting the chance to learn from one of the world’s foremost shredders – sounds like a dream prospect.

After all, in the pantheon of guitar greats, Satch is up there with the best. Not only that, in the early stages of his career he also gave lessons to a generation of emerging musicians, including Steve Vai, Kirk Hammett, Larry LaLonde, Alex Skolnick and more.

The proof is in the pudding – the proof in this case being that Satch is both a virtuoso and an exceptional tutor. One guitarist who didn’t quite warm to his style or teaching technique, though, was Xan McCurdy – who left after a few lessons.

In a new interview with Guitar World, McCurdy, who plays with iconic alt-rockers Cake, looks back on his early playing days, and recalls the time he sought out the wisdom of Satriani in a bid to level up his playing.

“I totally knew what I wanted to play like. Early on, I actually started out wanting to be a hard rock guy to impress my brothers,” he says. “But once I became a teenager, I quickly started to obsess about super mod and British sounds, and that was it.

“Then, I took lessons from several different teachers in Berkeley, California, one of them being Joe Satriani.”

The Joe Satriani Guitar Method - Episode 1 - Getting Started - YouTube The Joe Satriani Guitar Method - Episode 1 - Getting Started - YouTube
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However, Satch’s curriculum failed to move McCurdy, who wasn’t delighted by the rigorous technical exercises his newfound teacher was putting him through.

“I felt like he was trying to build an army of shredders, like nonsensical, not musical things, but just finger exercises, like da da da da da da da da da da da da da da back then,” McCurdy continues. “It was not even scales, just like getting your hands to flow, and have the ultimate dexterity, you know? And that was not what I was into because I did not care at all.

“I mean, there was a moment when we all got into Van Halen, but I sort of found my little niche subculture world, and I was all about Chuck Berry and the blues guys.”

It was a mutual feeling, though. As McCurdy remembers it, Satch was equally unimpressed with his new pupil, who failed to do his homework.

“I stopped going to Joe Satriani – and by the way, Joe Satriani would have no memory of this whatsoever,” he laughs. “I didn’t take a lot of lessons, and he hated me because I didn’t practice his stuff enough. And then I found a guy who, instead of having this long-hair shred master, this guy would just smoke a joint, and be like, ‘Alright, so what do you wanna do?’”

It’s rare to hear of a player leaving Satch’s tuition methodology a less-than-glowing review, especially when one considers his alumni. Last year, Guitar World unearthed a classic interview with Vai and Satriani, during which Vai revealed one of the biggest lessons Satriani taught him as a young shredder.

The full interview with Xan McCurdy will be published in the coming weeks.

Matt Owen
News Editor, GuitarWorld.com

Matt is the GuitarWorld.com News Editor, and has been writing and editing for the site for almost five years. He has a Masters in the guitar, a degree in history, and has spent the last 19 years playing everything from blues and jazz to indie and pop. During his GW career, he’s interviewed Peter Frampton, Zakk Wylde, Tosin Abasi, Matteo Mancuso and more, and has profiled the CEOs of Guitar Center and Fender.

When he’s not combining his passion for writing and music during his day job, Matt performs with indie rock duo Esme Emerson, and has previously opened for the likes of Ed Sheeran, Keane, Japanese House and Good Neighbours.

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