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Joe Satriani

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Practice Tips from Joe Satriani

By Joe Satriani

A few handy pointers from Satch.

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Watch Joe Satriani Discuss Guest Teachers at the Upcoming G4 Experience

By Guitar World Staff

G4 Experience V5.0: Rocks the Desert features a top-notch teaching staff of Carlos Alomar, Lari Basilio, Bumblefoot and Kiko Loureiro, along with special guests Rick Nielsen and Neal Schon.

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Forgotten Guitar: Joe Satriani and Mick Jagger Play “Little Red Rooster” at a Bar in 1988

By Jonathan Graham

Mick Jagger and Joe Satriani play the blues.

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Watch Joe Satriani, Tommy Emmanuel and Phil Collen Play the Blues

By Damian Fanelli

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John Petrucci's Most Difficult Song to Play Live: "I Actually Struggle with It"

By Damian Fanelli

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Joe Satriani Announces 2019 G4 Experience

By Jackson Maxwell

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Joe Satriani Releases 'Beyond the Supernova' Tour Documentary

By Jackson Maxwell

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Guitarist Premieres Blazing "Satch Chicken Pickin' Boogie"

By Damian Fanelli

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Synthesizing Different Musical Styles in the Quest for Inspired Improvisation

By Joe Satriani

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Joe Satriani and Steve Vai Play "Satch Boogie" in 1988

By Damian Fanelli

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Spinal Tap's Derek Smalls Talks "Saucy Jack," Trouser Zucchini and His New Satch- and Vai-Infused Solo Album

By Damian Fanelli

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Joe Satriani's Guide to Building Chords from “Stacked” Fourths

By Joe Satriani

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'It's Unfortunate': Joe Satriani Responds to Ritchie Blackmore Comments

By Jackson Maxwell

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Watch Chickenfoot Cover Otis Redding with Taj Mahal, Bob Weir, REO Speedwagon's Kevin Cronin

By Guitar World Staff

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Ritchie Blackmore on Joe Satriani: "If You’re Always Playing the Correct Notes, There’s Something Wrong"

By Jackson Maxwell

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Blurring the Line Between Major and Minor

By Joe Satriani

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Two Effective Approaches to Building Melodies

By Joe Satriani

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Watch Joe Satriani Play "Energy" After Receiving the SENA European Guitar Award

By Jackson Maxwell

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Betcha Can't Play This: Joe Satriani Lays Down a Challenge

By Guitar World Staff

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Forgotten Guitar: Dimebag Darrell Plays Joe Satriani's “Crushing Day”

By Jonathan Graham