Marty Friedman Releases 'Exotic Guitar,' His First Guitar Loop Library
Former Megadeth guitarist Marty Friedman has recorded a series of 65 guitar loops that can be used by producers, disc jockeys and other artists for various projects.
Friedman's loops, which range from high-gain leads and rhythm parts to clean-tone melodies influenced by Japanese and Middle Eastern scales, are available now as a loop library called Exotic Guitar.
The library includes:
- 24 Lead Guitar Loops
- 11 Rhythm Guitar Loops
- 10 Clean Tone Guitar Loops
- 20 Construction Guitar Loops
An audio sample (which you can check out here and in the video below) features Friedman’s guitar over metal and dubstep drums, hinting at some unique remix possibilities.
The 65 patterns (of various lengths) were recorded and looped at 140 bpm. The Exotic Guitar loop pack costs $24.99 and is available as mp3 or WAV files. For more information, head here.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Damian is Editor-in-Chief of Guitar World magazine. In past lives, he was GW’s managing editor and online managing editor. He's written liner notes for major-label releases, including Stevie Ray Vaughan's 'The Complete Epic Recordings Collection' (Sony Legacy) and has interviewed everyone from Yngwie Malmsteen to Kevin Bacon (with a few memorable Eric Clapton chats thrown into the mix). Damian, a former member of Brooklyn's The Gas House Gorillas, was the sole guitarist in Mister Neutron, a trio that toured the U.S. and released three albums. He now plays in two NYC-area bands.
“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
“He knocked on the door of his girlfriend’s ex. The guy said, ‘No, man, not my guitar!’ ‘Yep, you’ve got to give it up’”: George Benson on how he got the Gibson that shaped his 1976 chart-topping record, Breezin’