Chris Jisi
Chris Jisi was Contributing Editor, Senior Contributing Editor, and Editor In Chief on Bass Player 1989-2018. He is the author of Brave New Bass, a compilation of interviews with bass players like Marcus Miller, Flea, Will Lee, Tony Levin, Jeff Berlin, Les Claypool and more, and The Fretless Bass, with insight from over 25 masters including Tony Levin, Marcus Miller, Gary Willis, Richard Bona, Jimmy Haslip, and Percy Jones.
Latest articles by Chris Jisi

B.B. King had his breakthrough blues guitar moment with The Thrill Is Gone – but it was Jerry Jemmott’s bass that made it groove
By Chris Jisi published
For The Thrill Is Gone, Jemmott played his 1964 Jazz Bass – which would be stolen soon afterward

Carol Kaye on how she made Pet Sounds with the Beach Boys – and why good basslines don't come from scales
By Chris Jisi published
Kaye, the first lady of the electric bass, played her P-Bass through a Fender Super Reverb 4x10 combo on the iconic record

Just when we thought he’d settled into his routine as a bass superhero, Victor Wooten pulls out another surprise: a 25 cent hair tie?
By Chris Jisi published
Victor Wooten reveals the “secret” technique that makes his bass solos “pop with screaming harmonics”

How Bakithi Kumalo’s swung, fretless bassline helped create one of Graceland’s defining sounds
By Chris Jisi published
Like much of Paul Simon’s Graceland, the 1985 session for The Boy In The Bubble took place at Ovation Studios in downtown Johannesburg

Did Willie Weeks miss a note on this Donny Hathaway classic?
By Chris Jisi published
Willie Weeks is best known for his storied bass solo on Hathaway’s 1972 Live album, but the disc also features what may be his baddest bassline

How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine
By Chris Jisi published
The first version of the song was recorded in October 1968 with Charles ‘Sweets’ Sherrell on bass

Mike Rutherford’s “lead” bass approach helped demystify the low-end for prog rock cornerstone Genesis
By Chris Jisi published
The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic

Trevor Bolder speaks out on his storied history with David Bowie
By Chris Jisi published
How could anyone who played bass on Ziggy Stardust not be a rock legend?

An inside look at James Jamerson’s 10 seminal “B-Sides”
By Chris Jisi published
Anthony Jackson and James Jamerson Jr reveal the hidden secrets of Motown’s multi-track recordings

Jerry Barnes and Nile Rodgers give an insiders’ view of this seven-minute bass anthem by Chic
By Chris Jisi published
Performing alongside guitarist Nile Rodgers, Jerry Barnes has bestowed his deep-pocketed basslines upon Chic since the untimely death of Bernard Edwards in 1996

Did Nate Watts play on the most under-appreciated bass anthem ever?
By Chris Jisi published
The story behind the incredible 10-minute bassline on Stevie Wonder’s 1981 hit Do I Do

John Wetton has been the bass force behind a peak-period King Crimson lineup and two prog rock supergroups
By Chris Jisi published
A veteran of one of King Crimson’s classic lineups, John Wetton’s amazing career took him through a host of British prog bands

Darryl Jones on his journey to The Rolling Stones – from Miles Davis to Sting, Herbie Hancock to Peter Gabriel, and Madonna
By Chris Jisi published
The Rolling Stones bassist is a force of nature, with a stage and session career second to none

How Ryan Martinie redefined metal bass playing for a new generation with Mudvayne
By Chris Jisi published
Ryan Martinie stepped out as a 21st-century bass hero on Mudvayne’s The End of All Things to Come

How Willie Weeks' unbelievable solo on Donny Hathaway's 1972 Live album made him a bass legend
By Chris Jisi published
After being introduced as “the baddest bass player in the country,” Willie Weeks kicked off his now iconic solo

Fishbone’s Norwood Fisher names his 10 best basslines
By Chris Jisi published
The most iconic bass riffs in Fishbone’s catalog, according to Norwood Fisher himself

Esperanza Spalding on jamming with Prince, and the stunning upset of Justin Bieber
By Chris Jisi published
A support slot with Prince set the stage for Esperanza Spalding’s 2011 Grammy win and a whole new level of recognition

Raphael Saadiq on playing with Prince, D'Angelo and the “dead” 1962 Fender that put the vintage in Instant Vintage
By Chris Jisi published
The Tony! Toni! Toné! trailblazer created a whole new rhythm section style on his 2002 solo debut

Chris Wood unpacks his playing – both schooled and unschooled – with Medeski, Martin & Wood
By Chris Jisi published
Leaning on a vintage Fender and an old Ampeg, Chris Wood indulged his tone addictions on Medeski, Martin & Wood's Uninvisible

How Jack Bruce put a fresh spin on Cream hits Sunshine of Your Love and White Room
By Chris Jisi published
Some people believe rock ’n’ roll should never leave the cozy three-chord confines of the garage – and then there’s Jack Bruce

Listen to Leon Wilkeson’s bassline on Lynyrd Skynrd’s What’s Your Name
By Chris Jisi published
Lynyrd Skynyrd icon Ed King pays tribute to bassist Leon Wilkeson

Fusion bass great Jimmy Haslip breaks down his 2001 project with Robben Ford and Vinnie Colaiuta
By Chris Jisi published
Jimmy Haslip is a lefty who plays a left-handed 6-string bass with the strings reversed

“Well, the secret’s out. I’ve come clean”: Still copping Victor Wooten’s 20-year-old bass licks? You’d better take another look
By Chris Jisi published
Victor Wooten reveals the musical formula behind his 2005 solo album, Soul Circus
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