Chris Jisi
Chris Jisi was Contributing Editor, Senior Contributing Editor, and Editor In Chief on Bass Player 1989-2018. He is the author of Brave New Bass, a compilation of interviews with bass players like Marcus Miller, Flea, Will Lee, Tony Levin, Jeff Berlin, Les Claypool and more, and The Fretless Bass, with insight from over 25 masters including Tony Levin, Marcus Miller, Gary Willis, Richard Bona, Jimmy Haslip, and Percy Jones.
Latest articles by Chris Jisi

By Chris Jisi Published
The Roots bassist Owen Biddle reveals how his 6-string bass caught the ear of Bruce Springsteen and Steven Van Zandt during his time on Late Night with Jimmy Fallon

By Chris Jisi Published
Armed with a Morley Wah pedal and a Maestro Bass Brassmaster, Ralphe Armstrong turned his bass into a psychedelic lead guitar

By Chris Jisi Published
Since breaking through as the frontman of Tony! Toni! Toné!, Raphael Saadiq has forged a career alongside A Tribe Called Quest, Snoop Dogg and Q-Tip, while playing a key role in the sound of D’Angelo’s acclaimed neo-soul albums

By Chris Jisi Published
Texas rock icon Steve Miller featured his left-handed bassist on the third of four singles from his now-classic album

By Chris Jisi Published
Along with Led Zeppelin and Black Sabbath, Deep Purple formed the holy trinity of hard rock that would ultimately induce heavy metal

By Chris Jisi Published
After the Beatles, Paul McCartney wasn’t done writing killer basslines – as L.A. session and Wings guitarist Laurence Juber can attest

By Chris Jisi Published
Peter Cetera tells the story of how he met Jaco – and got to know bass legends Willie Weeks, Carol Kaye and Duck Dunn

By Chris Jisi Published
With a career backing artists like Bob Dylan, Dr. John, Chuck Berry, and Tom Waits, Tony Garnier is a walking textbook of bass history

By Chris Jisi Published
Having become disillusioned with Deep Purple’s growing love of funk, Ritchie Blackmore jumped ship in August 1975 – taking most of Purple’s opening act with him

By Chris Jisi Published
George Porter Jr cites this politically charged anthem as one of his favorite Meters basslines

By Chris Jisi Published
Bassist Allen McGrier grew up in the shadows of Motown and the Jamerson family in particular

By Chris Jisi Published
The newly named Chicago were invited to open for The Experience on several dates during their 1969 US tour

By Chris Jisi, Nick Wells Published
Bowie’s long-time bassist salutes her mentor and unpacks her approach to the bass chair with Lenny Kravitz

By Chris Jisi Published
Rhodes played his ’57 Fender P-Bass for the Meet Me in Chicago session at Nashville’s famed Blackbird studios

By Chris Jisi Published
As a member of Bowie’s band, George Murray cut the studio albums Station to Station, Low, Heroes, Lodger, and Scary Monsters

By Chris Jisi Published
The late Funkadelic co-founder tells the story of his encounter with Larry Graham, bass lessons with James Jamerson, and life in George Clinton’s ever-changing band

By Chris Jisi Published
The New York jazzer lifts the lid on her early lessons with the world’s most recorded bassist

By Chris Jisi Published
Already a Grammy-winning, global pop star, Sheryl Crow geeks out on bass for all the right reasons

By Chris Jisi Published
The Temptations' funky cover of Rudolph The Red-Nosed Reindeer captured Jamerson at his peak powers, before personal problems began to take their toll

By Chris Jisi Published
Having anchored the Moody Blues since the ’60s, the late John Lodge had a VIP seat for the Austin Powers-like era that made London the capital of cool

By Chris Jisi Published
Clarke's early session career offered tantalizing glimpses of his technical prowess and innovations, and hints of how he would transform the low-end landscape with Return To Forever and his own solo albums

By Chris Jisi Published
Burbridge played with The Allman Brothers and Tedeschi Trucks Band before joining Dead & Company alongside guitarist John Mayer

By Chris Jisi Published
Michael Anthony’s 16th-note bass grooves remained as much a part of the “Van Hagar” sound as Eddie Van Halen’s guitar pyrotechnics
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