Ryan Reed
Ryan Reed is a Knoxville, Tennessee-based writer, editor, musician, record collector, prog junkie, and former college professor. In addition to Guitar World, he's a contributor at SPIN (current title: senior editor), Rolling Stone, TIDAL, Relix, Ultimate Classic Rock, Revolver, and many other outlets. He's also the author of 2018’s Fleetwood Mac FAQ: All That’s Left to Know About the Iconic Rock Survivors.
Latest articles by Ryan Reed

By Ryan Reed Published
The Italian fusion maestro has finally launched his signature take on Yamaha’s double-cut design. He shares what makes the ideal instrument, how he was surrounded by electric guitars as a child, and how your choice affects what you play

By Guitar World Editors Published
Bowie’s most iconic six-string moments, featuring his all-star cast of top-tier players, from Mick Ronson to Stevie Ray Vaughan

By Andrew Daly Published
Pros pick their favorite Tele riffs and solos and decide who should be carved into that massive “Telecaster Mount Rushmore” that exists only in our deranged minds

By Ryan Reed Published
Don’t do the B-bender thing, they told him... He did it anyway. Brent Mason has a lot to answer for

By Ryan Reed Published
Are Crown Lands heirs to the Rush crown as Canada’s foremost prog act? Kevin Comeau is just happy to be living the prog dream, falling down the rabbit-hole of double-necks and 19-minute tracks

By Ryan Reed Published
From fever-dream epics to blistering solos, weird harmonizer effects and 12-string chime, here are Lerxst’s finest hours with the iconic Canadian prog trio

By Matt Owen Published
Osborne couldn't afford a B-Bender at first, so instead he got good, really good, at emulating the pedal steel sound without one

By Ryan Reed Published
Performing material from King Crimson's trailblazing '80s oeuvre, Beat finds three kings of the strings with the peerless Danny Carey pushing the envelope and Steve Vai doing Robert Fripp proud
![David Gilmour [left] wears a white shirt and jams on his Black Strat live at Hyde Park, with folk legend Roy Harper playing a Les Paul Custom.](https://cdn.mos.cms.futurecdn.net/CcGsNsaH5gxwV3UhyRv7nn-320-80.jpg)
By Ryan Reed Published
There are occasions when your track needs something. It could be more cowbell. Or it could be the services of David Gilmour. Over the years, the former Pink Floyd man has dropped magic on a number of guest spots, but these are his finest

By Ryan Reed Published
From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material

By Ryan Reed Published
Is this the first relic'ed guitar? Belew says so, and it's graced records by Zappa, Talking Heads, David Bowie and King Crimson. It has been on the cover of GW. It is still in service

By Matt Owen Published
Belew bought a brown sunburst Strat to take on tour with Frank Zappa – but it wasn't deemed fit for purpose until going through a drastic cosmetic overhaul

By Ryan Reed Published
Adrian Belew reveals what went on behind the scenes during the making of the band’s dual-personality 10th album, Three of a Perfect Pair – the final studio release from the Fripp/Belew/Levin/Bruford crew

By Ryan Reed Published
With King Crimson, Talking Heads, as a solo artist, it didn't matter: Adrian Belew manipulated the guitar like no-one else, bending sound into new shapes

By Ryan Reed Published
The last thing Omar Rodríguez-López wants is to be called a guitar hero, but sorry Omar, it’s true – and here are 10 reasons why...

By Ryan Reed Published
The former Frank Zappa and King Crimson guitarist keeps putting his decades-old knack for sonic invention to good use

By Ryan Reed last updated
No style was off limits for Fripp, who gave shape and form to progressive music with King Crimson and beyond

By Ryan Reed Published
It took 22 years but Garone has wrapped his head around the the “moto perpetuo” techniques and documented the arduous journey in a new memoir-cum-instructional book
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