Stevie Glasgow
Latest articles by Stevie Glasgow

By Stevie Glasgow Published
The second track on the trio’s only studio album showcases Bogert’s freewheeling bass playing – even if he believed the band never lived up to its immense potential

By Stevie Glasgow Published
The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work

By Stevie Glasgow Published
Iambic 5 Poetry features two separate bass tracks: the up-front melodic line, and another hidden low in the mix

By Stevie Glasgow Published
Inspired, according to Paul Gilbert, by the grooves of Christina Aguilera, Mr. Big’s Mean to Me is brimming with top-drawer axe-work

By Stevie Glasgow Published
Sledge describes the Big Muff as an extension of his hands – and he put it to good use on this searing solo

By Stevie Glasgow Published
Hendrix named the track after the Olympic White Fender Stratocaster he wielded during his iconic Woodstock set
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