Tom Poak
Tom Poak has written for the Hull Daily Mail, Esquire, The Big Issue, Total Guitar, Classic Rock, Metal Hammer and more. In a writing career that has spanned decades, he has interviewed Brian May, Brian Cant, and cadged a light off Brian Molko. He has stood on a glacier with Thunder, in a forest by a fjord with Ozzy and Slash, and on the roof of the Houses of Parliament with Thin Lizzy's Scott Gorham (until some nice men with guns came and told them to get down). He has drank with Shane MacGowan, mortally offended Lightning Seed Ian Broudie and been asked if he was homeless by Echo & The Bunnymen’s Ian McCulloch.
Latest articles by Tom Poak

By Tom Poak Published
The Guitar Show hits Birmingham 1-2 March 2025: Full line-up revealed

By Tom Poak Published
Guitar World has teamed up with Creed and you could win a Tremonti PRS Guitar signed by all members of Creed

By Tom Poak Published
Rock 'n' Roll Fantasy Camp announce the details of their third annual women-only camp

By Tom Poak Published
British blues guitarist and songwriter Jack J. Hutchinson on pedals, power trios, solos – and the illness that derailed his career

By Tom Poak Published
Pedalpocalypse: Ruzz 'Guitar' Evans of Ruzz Guitar's Blues Revue on the two pedals and amazing pickups behind his rock 'n' roll tone

By Tom Poak Published
It's the return of Pedalpocalypse, “the Desert Island Discs for pedals”, with Henry James from Robert Jon & The Wreck and King Tree & The Earth Mothers on the three pedals he would take with him in the event of a future lockdown

By Mike Brooks Published
In praise of Dookie, the 1994 album that put Green Day on the pop-punk throne

By Mike Brooks Published
George Michael could play bass – but it was Deon Estus who gave his songs groove, especially on 1987's Faith album...

By Mike Brooks Published
The Lowlist Ziggy Stardust was recorded in just one day. It made David Bowie a star. But bass players could only hear Trevor Bolder...

By Mike Brooks Published
It's 1981 and the bass players of the UK are looking at their thumbs and wondering if they can keep up…

By Tom Poak Published
For the second Primus album, Les Claypool decided that he was bored with the 4-string and his playing needed something to "blow it wide open". Cue 6 string fretless mania…

By Karl Coryat Published
From the Bass Player archive: Jason Newsted on picking vs fingers, the gear and technique behind The Black Album and how it feels to fill Cliff Burton's shoes...

By Tom Poak Published
“All stoner and doom bands are foam in the wake of Mountain!” An unmissable performance that generated some amazing YouTube comments

By Mike Brooks Published
The rhythm section was "was totally out of whack". The producer was "like Adolf Hitler". But out of it all came an all-time classic.

By Tom Poak Published
50 years ago, the James Paul McCartney TV special hit the screens. Born out of acrimony, and panned by critics, it’s a flawed but fascinating insight into McCartney’s mindset

By Tom Poak Published
On 7 April 1967, the Stax/Volt Revue hit Europe. Norwegian TV caught them in action in Oslo. What’s Norwegian for “locked in”?

By Tom Poak Published
The two Ronnies letting rip will brighten your day.

By Mike Brooks Published
Unfairly maligned as an album "fixed in the studio", a new version of Live And Dangerous proves Lynott and co didn't need overdubs

By Tom Poak Published
Fights, car crashes, affairs with starlets – Jet Harris set the template for British bass players and bad behaviour, and along the way inspired everyone from McCartney to Lemmy

By Tom Poak Published
The former Clash bassist chats with Guy Pratt about how he learned to play, Norman Watt-Roy, negotiating with Tony Allen and John Entwistle's watch
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