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Are you a Defender of the Faith? Do you want to appear in the pages of Guitar World magazine? Here's your chance! Email a photo of you with your guitar, along with the answers to the following categories to defendersofthefaith@guitarworld.com

  • NAME / AGE
  • HOMETOWN
  • GUITARS
  • SONGS I'VE BEEN PLAYING
  • GEAR I MOST WANT

Every issue we feature three readers. So what are you waiting for? Email us your info, and you just might be one of the lucky few chosen.

Also, check out the gallery of some of our previous Defenders picks below.

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Guitar World Staff
Guitar World Staff

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Lee Malia Jackson Pro Series LM-87 signature
“I used to weigh my guitars and use the heaviest one. As I’ve got older and my back’s got worse, lighter guitars are definitely better”: Lee Malia’s Jackson signature completes a full circle 20 years in the making – and it redefines what a Jackson can be
John Mayer and Bob Weir [left] of Dead & Company photographed against a grey background. Mayer wears a blue overshirt and has his signature Silver Sky on his shoulder. Weir wears grey and a bolo tie.
“Every tour was the best I could have done. It was only after that I would listen to more Grateful Dead and realize I hadn’t come close”: John Mayer and Bob Weir reflect on 10 years of Dead & Company – and why the Sphere forced them to reassess everything
June Millington performs onstage with Fanny at City Hall in Newcastle upon Tyne, England on May 30, 1973
“I use a spark plug to play slide. It's a trick Lowell George showed me. It gets incredible sustain – metal on metal”: In the face of sexist skepticism, Fanny's June Millington carved a unique six-string path, and inspired countless players in the process
A black-and-white action shot of Sergeant Thunderhoof perform live: [from left] Mark Sayer, Dan Flitcroft, Jim Camp and Josh Gallop
“There’d been three-minute solos, which were just ridiculous – and knackering to play live!” Stoner-doom merchants Sergeant Thunderhoof may have toned down the self-indulgence, but their 10-minute epics still get medieval on your eardrums
Patrick James Eggle is photographed in. his workshop with a vintage screwdriver in the foreground.
“For years, the only 12-string acoustics I got my hands on, the necks always pulled off after a bit. I earned a lot of money replacing them!” Why one of the UK’s most prolific luthiers is a bolt-on acoustic die-hard
A black-and-white photo of Lea Thomas with her T-style electric guitar
“I was writing songs from eight years old, but once I got a guitar I began to deeply identify with music… building an arsenal of influences”: How Lea Thomas uses guitars her dad built to conjure a magic synthesis of folk, pop and the ethereal
Sade Sanchez
“I liked that they were the underdogs. It was not the mainstream guitar. It was something that was hard to find”: Vox guitars deserve a second look – just ask L.A. Witch’s Sade Sanchez, who’s teaming hers with ugly pedals for nouveau garage rock thrills
Eric Clapton performs onstage with the Yardbirds in Brighton, England on June 11, 1964
“I suppose I felt that I deserved it for the amount of seriousness that I’d put into it. My head was huge!” “Clapton is God” graffiti made him a guitar legend when he was barely 20 – he says he was far from uncomfortable with the adulation at the time
John Sykes performs onstage with Whitesnake at the UIC Pavilion in Chicago, Illinois on November 10, 1984
“I was in a frenzy about it being trapped and burnt up. I knew I'd never be able to replace it”: After being pulled from the wreckage of a car crash, John Sykes ran back to his burning vehicle to save his beloved '76 Les Paul
Steve Stevens' Ciari Ascender
“It holds its own purely as a playable guitar. It’s really cool for the traveling musician – you can bring it on a flight and it fits beneath the seat”: Why Steve Stevens put his name to a foldable guitar