Picture a nice Sunday drive on a one-lane country road ... and that idiot in front of you is going 5 mph under the speed limit!
Odie by Chellee Guitars began as a Tube Screamer-style overdrive pedal but widened the scope on each end to give you more options, or—to get back to that country road—they hacked down some trees and made a four-lane highway.
Drive, Level and Tone are all knobs I’m sure you’re familiar with, but the Odie has two additional three-way switches—Texture and Voicing. Texture selects between asymmetrical diode clipping, clean boost and Mosfet clipping. Voicing selects between a flat EQ response, a mid bump (classic TS sound) and a low-end boost (great for making a smaller amp sound bigger).
Each pedal is handbuilt in the U.S., features true-bypass switching and can be powered by a supplied 9-volt battery or a 9- or 18-volt power supply.
On to the audio clips!
Clip 1 is a Strat with the Texture set to diode clipping and the Voicing set to mid bump to get that classic Tube Screamer tone. I had the Drive set low, the Tone around 12 o’clock and the Volume boosted to about 3 o’clock.
Clip 2 is a Les Paul with Texture flipped over to Mosfet clipping and the Voicing on low end boost. It gets a pretty mean modern rhythm tone.
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Clip 3 is a Strat with everything around 12 o’clock, Texture set to Clean Boost and the Voicing set to Flat. While it’s not 100 percent clean, it really fattens up single-coil pickups.
Clip 4 is a Strat with a humbucker in the bridge. Texture was back on diode clipping, Voicing was on mid bump and I turned up the Tone and the Drive to about 2 o’clock to get a more classic Marshall-type overdrive with plenty of finger noise.
You can't believe everything you read on the Internet, but Billy Voight is a gear reviewer, bassist and guitarist from Pennsylvania. He has Hartke bass amps and Walden acoustic guitars to thank for supplying some of the finest gear on his musical journey. Need Billy's help in creating noise for your next project? Drop him a line at thisguyonbass@gmail.com.
