Artist Lessons
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![Joe Bonamassa [left] wears a deep blue suit and polka-dotted shirt and plays his green refin Strat; the late Irish blues legend Rory Gallagher [right] screams and inflicts some punishment on his heavily worn number one Stratocaster.](https://cdn.mos.cms.futurecdn.net/cw28h7UBcTVfTLs7p7eiLe-320-80.jpg)
Joe Bonamassa pays tribute to the late, great Irish blues-rock icon Rory Gallagher
By Joe Bonamassa published
He might have only just learned how to pronounce Gallagher's name properly, but JoBo is a player who idolized the man, and will pay tribute to him in three shows this summer in Cork, Ireland

Think playing rhythm guitar is boring? Cory Wong is here to change your mind
By Cory Wong published
In his inaugural Guitar World column, Cory Wong establishes the principles – and the mentality – of good rhythm playing, and how you can make yours fun

By thumb-picking bass notes while playing a melody, you can be your own rhythm section – Jared James Nichols shows you how
By Jared James Nichols published
The pickless blues-rock powerhouse demonstrates some picking hand independence strategies that gets it working up a rhythm that works a treat for the solo musician

Jimmy Reed was one of the most influential blues guitarists to ever live – and his fingerpicking style makes an incredible launching pad for improvisation
By Jim Oblon published
Jim Oblon cracks open the box to present us with a blues lesson to refresh your rhythm game

Joe Bonamassa explains the soloing secrets of his hero Gary Moore – and says no Moore, no Bonamassa
By Joe Bonamassa published
No Moore, no Bonamassa, says Joe, as he puts together four blazing solo ideas inspired by the late blues-rock force of nature

Dimebag Darrell wrote 42 lesson columns for Guitar World. Here’s the best advice he shared
By Dimebag Darrell published
We’ve collected the best of Dimebag’s “Riffer Madness” columns for the ultimate masterclass in the late Pantera guitarist’s trailblazing style

Learn the soloing strategy that T-Bone Walker, B.B. King and Albert King all used, and will instantly make your blues solos sound more pro
By Jim Oblon published
Jim Oblon drops some blues science, demystifying the practice of alternating between parallel minor and major pentatonics

Jared James Nichols shows you how to use call-and-response blues phrasing
By Jared James Nichols published
This Blues Power-up for your playing will help your solos speak to the audience
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